{"id":35057,"date":"2015-05-30T03:24:41","date_gmt":"2015-05-30T08:24:41","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=35057"},"modified":"2015-05-30T03:24:41","modified_gmt":"2015-05-30T08:24:41","slug":"bogazicili-kadinlarin-gozunden-zabel-yesayan","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=35057","title":{"rendered":"Bo\u011fazi\u00e7ili kad\u0131nlar\u0131n g\u00f6z\u00fcnden Zabel Yesayan"},"content":{"rendered":"

\"Bo\u011fazi\u00e7ili<\/a>Merve Ceyhan<\/b><\/a><\/p>\n

Bo\u011fazi\u00e7i \u00dcniversitesi Kad\u0131n Ara\u015ft\u0131rmalar\u0131 Kul\u00fcb\u00fc, Zabel Yesayan\u2019\u0131n hayat\u0131n\u0131 \u2018Silahtar\u0131n Bah\u00e7esi\u2019 kitab\u0131ndan yola \u00e7\u0131karak oyunla\u015ft\u0131rd\u0131. <\/b><\/em>Oyun kadrosundan Damla Pin\u00e7e, Duygu Dalyano\u011flu ve Maral \u00c7ankaya ile, \u2018Zabel\u2019 projesine dair sohbet ettik.<\/em> <\/b><\/p>\n

Oyunda, Zabel Yesayan, evini, soka\u011f\u0131n\u0131, arkada\u015flar\u0131n\u0131, kom\u015fular\u0131n\u0131, bir daha d\u00f6nmemek \u00fczere ayr\u0131ld\u0131\u011f\u0131 \u00dcsk\u00fcdar\u2019\u0131, \u00e7ocukluk ve gen\u00e7lik an\u0131lar\u0131 e\u015fli\u011finde anlat\u0131yor. Dekorundan kost\u00fcm\u00fcne, \u0131\u015f\u0131\u011f\u0131ndan m\u00fczi\u011fine kadar her \u015feyiyle kad\u0131n eme\u011finin \u00fcr\u00fcn\u00fc olan oyun, Zabel\u2019i ve onun hayat\u0131n\u0131 etkileyen kad\u0131nlar\u0131n hik\u00e2yesini sahneye ta\u015f\u0131yor.<\/p>\n

Zabel\u2019in hayat\u0131n\u0131 oyunla\u015ft\u0131rma fikri nas\u0131l ortaya \u00e7\u0131kt\u0131 ve nas\u0131l bir arka plan \u00e7al\u0131\u015fmas\u0131 y\u00fcr\u00fctt\u00fcn\u00fcz?<\/b><\/p>\n

Maral \u00c7ankaya:\u00a0<\/b>\u2019Zabel\u2019, Bo\u011fazi\u00e7i \u00dcniversitesi Kad\u0131n Ara\u015ft\u0131rmalar\u0131 Kul\u00fcb\u00fc\u2019ne (B\u00dcKAK) \u00fcye olan, \u00f6\u011frenci ve mezun tiyatrocu ve m\u00fczisyen kad\u0131nlar\u0131n kat\u0131ld\u0131\u011f\u0131 bir proje. Daha \u00f6nce de B\u00dcKAK\u2019ta Elbis Gesaratsyan, Hayganu\u015f Mark ve Zabel Yesayan gibi Ermeni kad\u0131n yazarlar okunuyordu. Yesayan\u2019\u0131n eserlerinin T\u00fcrk\u00e7e \u00e7evirilerinin say\u0131s\u0131n\u0131n artmas\u0131,eserlerinin daha g\u00f6r\u00fcn\u00fcr olmaya ba\u015flamas\u0131 ve bu y\u0131l\u0131n 1915\u2019in 100. y\u0131l\u0131 olmas\u0131 sebebiyle, hayat\u0131n\u0131 derinlemesine ara\u015ft\u0131rmak, eserlerini okumak istedik.<\/p>\n

Duygu Dalyano\u011flu:<\/b> Arka plan \u00e7al\u0131\u015fmas\u0131 yaparken \u2018Silahtar\u2019\u0131n Bah\u00e7eleri\u2019, \u2018Y\u0131k\u0131nt\u0131lar Aras\u0131nda\u2019, \u2018S\u00fcrg\u00fcn Ruhum\u2019 adl\u0131 \u00fc\u00e7 eserini, baz\u0131 k\u0131sa \u00f6yk\u00fclerini ve \u2018Bir Adalet Feryad\u0131\u2019 adl\u0131 kitapta (der. M. Bilal ve L. Ekmek\u00e7io\u011flu, Aras Yay.) yer alan toplumsal cinsiyet temal\u0131 makalelerini okuduk.<\/p>\n

Damla Pin\u00e7e:<\/b> \u2018Y\u0131k\u0131nt\u0131lar Aras\u0131nda\u2019 1909 Adana Katliam\u0131\u2019n\u0131 anlat\u0131yor. Oradaki sava\u015f ortam\u0131, insan halleri ve kad\u0131nlar\u0131n maruz kald\u0131\u011f\u0131 durumlar, akl\u0131m\u0131za Suriye\u2019de ya\u015fananlar\u0131 getirdi. \u0130lgimizi \u00e7eken bir di\u011fer nokta, Yesayan\u2019\u0131n sava\u015f ortam\u0131nda kendini hi\u00e7bir zaman \u00fcmitsizli\u011fe kapt\u0131rmamas\u0131 oldu. Yazd\u0131klar\u0131nda her zaman bar\u0131\u015f temennisi var, ve bu temenniyi salt \u201cHepimiz karde\u015f olal\u0131m, aman d\u00fc\u015fmanl\u0131k olmas\u0131n\u201d gibi bir noktadan kurmuyor. Oradaki insanlar\u0131n hik\u00e2yelerini anlatarak ve Ermenilerin i\u00e7inde bulundu\u011fu e\u015fitsizli\u011fe vurgu yaparak bar\u0131\u015f\u0131n sesini y\u00fckseltmeye \u00e7al\u0131\u015f\u0131yor.<\/p>\n

Siz oyunda, Yesayan\u2019\u0131n \u00e7evresindeki be\u015f kad\u0131na odaklanm\u0131\u015fs\u0131n\u0131z…<\/b><\/p>\n

M\u00c7:<\/b>\u00a0\u2018Silahtar\u2019\u0131n Bah\u00e7eleri\u2019, Yesayan\u2019\u0131n \u00e7ocuklu\u011funu ve gen\u00e7li\u011fini konu al\u0131yor. Yazar b\u00fct\u00fcn hayat\u0131n\u0131 yazmak istemi\u015f ama o d\u00f6nemde tutuklanm\u0131\u015f. Hik\u00e2ye \u00e7ocuklu\u011fundan ba\u015flad\u0131\u011f\u0131 i\u00e7in, onu b\u00fcy\u00fcten kad\u0131nlar\u0131n hik\u00e2yeleri ve onun bu ortamdan nas\u0131l etkilendi\u011fi, oyunumuzun ana eksenini olu\u015fturdu. Evin i\u00e7indeki kad\u0131n karakterlerin her biri d\u00f6nemin geneline dair bir veri sunuyor bize. \u00d6rne\u011fin aile bireyleri aras\u0131nda nas\u0131l bir i\u015f b\u00f6l\u00fcm\u00fc vard\u0131, kad\u0131nlar ekonomiyi nas\u0131l d\u00f6nd\u00fcr\u00fcyor, ev i\u00e7inden kamusal alana \u00e7\u0131kt\u0131klar\u0131nda neler ya\u015f\u0131yorlard\u0131?<\/p>\n

Oyunu feminist bir dramaturjiyle ele alan kad\u0131nlar olarak, Osmanl\u0131 d\u00f6nemindeki kad\u0131nl\u0131k durumu ile kendi kad\u0131nl\u0131k deneyimleriniz aras\u0131nda bir ba\u011f kurdunuz mu?<\/b><\/p>\n

DD:<\/b> Yesayan\u2019\u0131n da gen\u00e7ken ilk defa kamusal alana \u00e7\u0131kt\u0131\u011f\u0131nda ya\u015fad\u0131\u011f\u0131 bir taciz hik\u00e2yesi var: Bir arkada\u015f\u0131yla sahilde ilk defa gezintiye \u00e7\u0131k\u0131yorlar; sohbet ederken fark\u0131nda olmadan kuytu bir yere gittiklerinde bir adam\u0131n tacizine u\u011fruyorlar. Yesayan\u2019\u0131n arkada\u015f\u0131 \u00e7ok cesur bir \u015fekilde adam\u0131 g\u00f6nderiyor ama \u00e7ok korkuyorlar ve olanlar\u0131 ailelerine anlatmamaya karar veriyorlar. Bu, hem kendi deneyimlerimizle hem de cinsel taciz \u00fczerinde yapt\u0131\u011f\u0131m\u0131z tart\u0131\u015fmalarla \u00f6rt\u00fc\u015fen bir hik\u00e2ye oldu\u011fu i\u00e7in, oyunda yer ald\u0131.<\/p>\n

DP:<\/b>\u00a0Sadece Yesayan\u2019\u0131n de\u011fil, onun hayat\u0131na giren b\u00fct\u00fcn kad\u0131nlar\u0131n ya\u015fad\u0131\u011f\u0131 s\u0131k\u0131nt\u0131lar, bizim de evimizde annemizin ya da d\u0131\u015far\u0131da g\u00f6rd\u00fc\u011f\u00fcm\u00fcz herhangi bir kad\u0131n\u0131n ya\u015fad\u0131\u011f\u0131 s\u0131k\u0131nt\u0131lardan olu\u015fuyor; ekonomik s\u0131k\u0131nt\u0131lar, anneyle baba aras\u0131ndaki iktidar durumlar\u0131, kad\u0131nlar\u0131n kamusal alanla kurduklar\u0131 ba\u011flant\u0131, \u00f6zel alana s\u0131k\u0131\u015fm\u0131\u015f olmalar\u0131… Alt\u0131 kad\u0131n ayn\u0131 evde sabahtan ak\u015fama kadar hem bir ekonomik gelir elde etmeye, hem evin dertleriyle u\u011fra\u015fmaya, hem de \u00e7ocuk yeti\u015ftirmeye \u00e7al\u0131\u015f\u0131yor.<\/p>\n

G\u00f6rece \u00f6zg\u00fcr ve \u00f6zerk sanat \u00fcretimleri yapan alternatif tiyatro topluluklar\u0131 bile Ermeni yazarlar\u0131n oyunlar\u0131na neredeyse hi\u00e7 yer vermiyor. Bu oyunla seyirciden ne gibi tepkiler ald\u0131n\u0131z?<\/b><\/p>\n

M\u00c7:<\/b>\u00a0Ermenilerin tiyatromuza katt\u0131klar\u0131 ne yaz\u0131k ki \u00e7ok bilinmiyor ve ara\u015ft\u0131r\u0131lm\u0131yor. Ara\u015ft\u0131rmaya ba\u015flamadan \u00f6nce biz de bir\u00e7ok \u015feyi bilmiyorduk. G\u00f6rd\u00fck ki tiyatroda bile milli tarih yaz\u0131m\u0131 aktar\u0131l\u0131yor. Halbuki, T\u00fcrkiye tiyatrosunun temellerini Ermeni tiyatrocular atm\u0131\u015f; Osmanl\u0131\u2019da feminist hareketin \u00f6nc\u00fcleri de Ermeni kad\u0131nlar. Bu proje yap\u0131l\u0131rken, bunlar\u0131n tart\u0131\u015ft\u0131r\u0131lmas\u0131 ve kamusalla\u015fmas\u0131 hedeflendi. Gelen yorumlarda da, seyirciler sahnede hem k\u00fclt\u00fcrel \u00e7o\u011fulcu bir ya\u015fay\u0131\u015f, hem de feminist bir \u00e7al\u0131\u015fma g\u00f6rd\u00fcklerini s\u00f6ylediler.<\/p>\n

Oyunda soyk\u0131r\u0131m temas\u0131 nas\u0131l i\u015fleniyor?<\/b><\/p>\n

DD:<\/b> 24 Nisan 1915\u2019te \u0130stanbul\u2019daki entelekt\u00fcellerin hapse at\u0131lmas\u0131 ve s\u00fcrg\u00fcne g\u00f6nderilmesi s\u00fcrecinde Yesayan\u2019\u0131n listede yer alan tek kad\u0131n oldu\u011fu s\u00f6yleniyor. Bir \u015fekilde ka\u00e7may\u0131 ba\u015far\u0131yor. Y\u0131llarca \u00e7e\u015fitli yerlerde ya\u015f\u0131yor. 1921\u2019de Anadolu\u2019ya\u00a0ve \u0130stanbul\u2019a k\u0131sa s\u00fcreli\u011fine d\u00f6nse de kalm\u0131yor, \u00e7\u00fcnk\u00fc ya\u015fayabilece\u011fi ko\u015fullar Cumhuriyet\u2019in kurulu\u015fuyla yok edilmi\u015f. B\u00f6ylece \u0130stanbul\u2019u terk ediyor. Bizim oyunumuz 1921\u2019de, Yesayan\u2019\u0131n \u0130stanbul\u2019a geldi\u011fi d\u00f6nemde ba\u015fl\u0131yor. \u00dcsk\u00fcdar\u2019a, eski evine gidiyor; orada an\u0131lar\u0131 canlan\u0131yor. Oyun, Yesayan\u2019\u0131n t\u00fcm hat\u0131ralar\u0131yla birlikte bir daha d\u00f6nmemek \u00fczere \u0130stanbul\u2019dan ayr\u0131lmas\u0131yla bitiyor. \u00c7ocuklu\u011funa ve gen\u00e7li\u011fine dair hat\u0131ralar\u0131n geride kalmak zorunda olmas\u0131n\u0131n soyk\u0131r\u0131m\u0131 i\u015faret etti\u011fini s\u00f6yleyebiliriz. Bir yandan da, insanlar\u0131n Yesayan\u2019\u0131n y\u0131llar \u00f6nce yazd\u0131\u011f\u0131 bu eseri bug\u00fcn \u00f6\u011frenmesi veya bizim bu kitab\u0131 bir-iki y\u0131l \u00f6nce okumu\u015f olmam\u0131z, soyk\u0131r\u0131ma dair bir \u015fey s\u00f6ylemi\u015f oluyor asl\u0131nda.<\/p>\n

DP:\u00a0<\/b>Soyk\u0131r\u0131m deyince sadece Ermeni halk\u0131n\u0131n katledilmesi, bu topraklardan s\u00fcr\u00fclmesi anla\u015f\u0131lmamal\u0131. Onlar\u0131n arkalar\u0131nda b\u0131rakt\u0131klar\u0131 tarihin de, hem sanatsal, hem de entelekt\u00fcel anlamda bir soyk\u0131r\u0131ma u\u011frad\u0131\u011f\u0131n\u0131 fark etmemiz \u015fart. Yesayan \u2018Y\u0131k\u0131nt\u0131lar Aras\u0131nda\u2019da 1909 Adana Katliam\u0131\u2019n\u0131 do\u011frudan insan hik\u00e2yeleriyle anlat\u0131yor. B\u00f6yle bir katliam\u0131 d\u0131\u015far\u0131dan g\u00f6zlemleyip anlatman\u0131n \u00e7ok zor oldu\u011funu d\u00fc\u015f\u00fcnerek, oraya gidiyor, insanlarla konu\u015fuyor ve g\u00f6rd\u00fcklerini aktar\u0131yor. Biz de sahnelememizde insan hik\u00e2yelerine odaklanmaya \u00e7al\u0131\u015ft\u0131k.<\/p>\n

DD:<\/b>\u00a0Soyk\u0131r\u0131m\u0131 sadece olgularla, verilerle, tarihsel kan\u0131tlarla tart\u0131\u015fmak istedi\u011fimizde t\u0131kan\u0131p kalabiliyoruz. Yesayan\u2019\u0131n ve bir\u00e7ok Ermeni edebiyat\u00e7\u0131n\u0131n yapt\u0131\u011f\u0131 gibi o hik\u00e2yeleri anlatmak, o felakete ve katliama belki de biraz daha yak\u0131nla\u015fabilmemizi sa\u011fl\u0131yor. Tamamen anlamam\u0131z ve b\u00fct\u00fcn\u00fcn\u00fc hissetmemiz m\u00fcmk\u00fcn olmasa da, olayla bir par\u00e7a ba\u011f kurmam\u0131z\u0131 sa\u011fl\u0131yor.<\/p>\n

\u2018Zabel\u2019, 30 May\u0131s Cumartesi K\u00fclt\u00fcrel \u00c7o\u011fulcu G\u00fcnler kapsam\u0131nda \u0130stanbul\u2019da, 2 Haziran\u2019da ise Yerevan\u2019da sahne alacak.<\/i><\/p>\n

\u2018Varujan\u2019\u0131n Hayat\u0131\u2019 K\u00fclt\u00fcrel \u00c7o\u011fulcu G\u00fcnler\u2019de<\/b><\/p>\n

K\u00fclt\u00fcrel \u00c7o\u011fulcu G\u00fcnler (K\u00c7G) bu sene 23.\u2019s\u00fc d\u00fczenlenen \u0130stanbul Amat\u00f6r Tiyatro G\u00fcnleri kapsam\u0131nda yap\u0131lacak. Ermeni ve K\u00fcrt tiyatrosu \u00f6rneklerinin seyirciyle bulu\u015faca\u011f\u0131 etkinli\u011fin iki g\u00fcn\u00fc Ermeni tiyatrosuna ayr\u0131lm\u0131\u015f. 30 May\u0131s Cumartesi saat 13:00\u2019te Getronagan Lisesi Oyuncular\u0131, Ermeni edebiyat\u00e7\u0131 Tanyel Varujan\u2019\u0131n hayat\u0131n\u0131 sahneledikleri \u2018Varujan\u2019\u0131n Hayat\u0131\u2019n\u0131, saat 16:00\u2019da ise B\u00dcKAK \u2018Zabel\u2019i oynayacak. 31 May\u0131s Pazar g\u00fcn\u00fc 15:00\u2019te Bo\u011fazi\u00e7i \u00dcniversitesi Oyuncular\u0131 Hagop Baronyan ve Yervant Odyan\u2019\u0131n oyunlar\u0131ndan derlenen \u2018Pera\u2019da Bir Ak\u015fam Vakti\u2019ni sahneleyecek. Michigan \u00dcniversitesi Ermeni Dili ve Edebiyat\u0131 \u00f6\u011fretim g\u00f6revlisi Prof. Dr. Kevork Bardak\u00e7\u0131yan 30 ve 31 May\u0131s ak\u015fam\u0131 17:30\u2019da konu\u015fma yapacak. Etkinlikler Bo\u011fazi\u00e7i \u00dcniversitesi Demir Demirgil Salonu\u2019nda izlenebilir.<\/p>\n

http:\/\/www.agos.com.tr\/tr\/yazi\/11722\/bogazicili-kadinlarin-gozunden-zabel-yesayan<\/i><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Merve Ceyhan Bo\u011fazi\u00e7i \u00dcniversitesi Kad\u0131n Ara\u015ft\u0131rmalar\u0131 Kul\u00fcb\u00fc, Zabel Yesayan\u2019\u0131n hayat\u0131n\u0131 \u2018Silahtar\u0131n Bah\u00e7esi\u2019 kitab\u0131ndan yola \u00e7\u0131karak oyunla\u015ft\u0131rd\u0131. Oyun kadrosundan Damla Pin\u00e7e, Duygu Dalyano\u011flu ve Maral \u00c7ankaya ile, \u2018Zabel\u2019 projesine dair sohbet ettik. Oyunda, Zabel Yesayan, evini, soka\u011f\u0131n\u0131, arkada\u015flar\u0131n\u0131, kom\u015fular\u0131n\u0131, bir daha d\u00f6nmemek \u00fczere ayr\u0131ld\u0131\u011f\u0131 \u00dcsk\u00fcdar\u2019\u0131, \u00e7ocukluk ve gen\u00e7lik an\u0131lar\u0131 e\u015fli\u011finde anlat\u0131yor. Dekorundan kost\u00fcm\u00fcne, \u0131\u015f\u0131\u011f\u0131ndan m\u00fczi\u011fine kadar […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,71],"tags":[],"class_list":["post-35057","post","type-post","status-publish","format-standard","hentry","category-haberler","category-mulakatlar"],"yoast_head":"\nBo\u011fazi\u00e7ili kad\u0131nlar\u0131n g\u00f6z\u00fcnden Zabel Yesayan - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=35057\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bo\u011fazi\u00e7ili kad\u0131nlar\u0131n g\u00f6z\u00fcnden Zabel Yesayan - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Merve Ceyhan Bo\u011fazi\u00e7i \u00dcniversitesi Kad\u0131n Ara\u015ft\u0131rmalar\u0131 Kul\u00fcb\u00fc, Zabel Yesayan\u2019\u0131n hayat\u0131n\u0131 \u2018Silahtar\u0131n Bah\u00e7esi\u2019 kitab\u0131ndan yola \u00e7\u0131karak oyunla\u015ft\u0131rd\u0131. Oyun kadrosundan Damla Pin\u00e7e, Duygu Dalyano\u011flu ve Maral \u00c7ankaya ile, \u2018Zabel\u2019 projesine dair sohbet ettik. Oyunda, Zabel Yesayan, evini, soka\u011f\u0131n\u0131, arkada\u015flar\u0131n\u0131, kom\u015fular\u0131n\u0131, bir daha d\u00f6nmemek \u00fczere ayr\u0131ld\u0131\u011f\u0131 \u00dcsk\u00fcdar\u2019\u0131, \u00e7ocukluk ve gen\u00e7lik an\u0131lar\u0131 e\u015fli\u011finde anlat\u0131yor. 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