{"id":33420,"date":"2015-02-09T04:40:27","date_gmt":"2015-02-09T09:40:27","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=33420"},"modified":"2015-02-09T04:40:27","modified_gmt":"2015-02-09T09:40:27","slug":"yitirilen-oykulerin-getirdigi-ermeni-edebiyati-numunelerinin-100-yillik-yolculugu","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=33420","title":{"rendered":"Yitirilen \u00f6yk\u00fclerin getirdi\u011fi: Ermeni edebiyat\u0131 numunelerinin 100 y\u0131ll\u0131k yolculu\u011fu"},"content":{"rendered":"

\"Ermeni<\/a>Nazl\u0131 Karab\u0131y\u0131ko\u011flu\u00a0<\/b><\/p>\n

Osmanl\u0131 vatanda\u015f\u0131 bir Ermeni ayd\u0131n\u0131 olan Sarkis Srents\u2019in, Ermeniceden \u00e7evirip 1912-13 y\u0131llar\u0131 boyunca Servet-i F\u00fcnun dergisinde yay\u0131mlad\u0131\u011f\u0131 \u00f6yk\u00fcler \u015fimdi elimizde bir kitap toplam\u0131nda duruyor. Yay\u0131mlan\u0131\u015flar\u0131n\u0131n 100. y\u0131l\u0131nda, yeniden T\u00fcrk\u00e7ele\u015ftirilerek Aras Yay\u0131nlar\u0131 (May\u0131s, 2012) taraf\u0131ndan bas\u0131lan eserde 8 yazar\u0131n 14 \u00f6yk\u00fcs\u00fc\/anlat\u0131s\u0131 bulunuyor. Sunu\u015f yaz\u0131s\u0131nda da \u0131srarla s\u00f6ylendi\u011fi gibi, t\u00fcm bu \u00f6yk\u00fcler (ya da anlat\u0131lar) Ermeni Edebiyat\u0131 Numuneleri ad\u0131 alt\u0131nda tekrar bas\u0131lmam\u0131\u015f, Bat\u0131 Ermenicesinin tamamen unutuldu\u011fu, Osmanl\u0131can\u0131n art\u0131k kullan\u0131lmad\u0131\u011f\u0131 g\u00fcn\u00fcm\u00fczde \u201cErmeni Edebiyat\u0131 Numuneleri-1913\u201d ismi konularak bas\u0131m\u0131 ger\u00e7ekle\u015ftirilmi\u015ftir.\u00a0<\/strong><\/em><\/p>\n

Bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda hik\u00e2yelerin ve anlat\u0131lar\u0131n yay\u0131mland\u0131klar\u0131 ilk zamanlarda \u00fcstlendikleri toplumsal i\u015flevin, art\u0131k nefes almad\u0131\u011f\u0131n\u0131 s\u00f6ylemek yanl\u0131\u015f olmaz. Buna ra\u011fmen, 1910\u2019lu y\u0131llar\u0131n ilk yar\u0131s\u0131n\u0131n toplumsal, k\u00fclt\u00fcrel, sosyal ve siyasi yap\u0131s\u0131 g\u00f6z \u00f6n\u00fcnde bulunduruldu\u011funda, bu edebiyat numunelerinin Ermeni ve T\u00fcrk toplumlar\u0131n\u0131n benzerliklerini anlatmada m\u00fcthi\u015f bir becerisi oldu\u011fu g\u00f6z ard\u0131 edilmemelidir.<\/p>\n

\u0130yi bir e\u011fitimci, psikolog ve pedagog olan Sarkis Srents, 8 yazardan ald\u0131\u011f\u0131 bu 14 \u00f6yk\u00fcy\u00fc ve anlat\u0131y\u0131 terc\u00fcme edip kitapla\u015ft\u0131rmaya karar verdikten sonra, d\u00f6nemin d\u00f6rt \u00fcnl\u00fc Osmanl\u0131 ayd\u0131n\u0131ndan kitap \u00fczerine \u00f6vg\u00fc yaz\u0131lar\u0131 almay\u0131 ba\u015far\u0131r. \u201cBe\u011fenceler\u201d ismiyle kitab\u0131n ba\u015f\u0131na ekledi\u011fi bu b\u00f6l\u00fcmde Abdullah Cevdet, Harutyun \u015eahrigyan, S\u00fcleyman Nazif ve \u015eahabettin S\u00fcleyman\u2019\u0131n yaz\u0131lar\u0131 da yer al\u0131r. Srent, kitab\u0131n en sonuna da 8 yazar\u0131n biyografilerini ekler ve kitap B\u00e2b-\u0131 \u00c2li yolunu tutar. O zamanlar be\u015f kuru\u015f kar\u015f\u0131l\u0131\u011f\u0131nda Osmanl\u0131 K\u00fct\u00fcphanesinden al\u0131nabilece\u011fi duyurulan kitap, Aras Yay\u0131nc\u0131l\u0131k taraf\u0131ndan tam 100 y\u0131l sonra yeniden bas\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Kitap i\u00e7in \u00e7evirinin \u00e7evirisi diyebiliriz. Srents\u2019in zaman\u0131nda Ermeniceden \u00e7evirdi\u011fi metnin, hafif Osmanl\u0131ca kokular\u0131 yayan bir T\u00fcrk\u00e7eyle okuyucuya yeterince yal\u0131n bir okuma s\u00fcreci sunmayaca\u011f\u0131 d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f. Mahir \u00dcnsal Eri\u015f ve Ari \u015eekeryan metnin T\u00fcrk\u00e7ele\u015ftirilmesi \u00fczerine \u00e7al\u0131\u015farak \u015fimdi elimizde tuttu\u011fumuz metni ortaya \u00e7\u0131karm\u0131\u015flar. Burada kitab\u0131n g\u00fczelli\u011fi ortaya \u00e7\u0131k\u0131yor: Metinleri her iki \u015fekilde de takip etmek isteyen merakl\u0131 okuyucu i\u00e7in, numuneler ayn\u0131 ak\u0131\u015fta hem Eski T\u00fcrk\u00e7e hem de g\u00fcn\u00fcm\u00fcz T\u00fcrk\u00e7esiyle verilmi\u015f.<\/p>\n

Krikor Zohrab, Avedis Avaronyan, Dikran Gamsaragan, Zabel Asadur ve Hrand Asadur\u2019un yazd\u0131klar\u0131n\u0131n genel olarak hik\u00e2ye t\u00fcr\u00fcne daha yak\u0131n oldu\u011funu s\u00f6ylemek m\u00fcmk\u00fcn. Krikor Zohrab\u2019\u0131n hik\u00e2yelerinde bir konakta hizmet\u00e7i olarak i\u015fe ba\u015flayan Dikranuhi\u2019nin ba\u015f\u0131ndan ge\u00e7enler ve d\u00f6nemin hizmet\u00e7ilerinin benzer mak\u00fbs talihleri, platonik bir a\u015fka dair kurulan hayallere pencere \u00f6n\u00fcndeki fesle\u011fenin tan\u0131kl\u0131\u011f\u0131 ve Zapu\u011fon adl\u0131 bir h\u0131rs\u0131z\u0131n sonu h\u00fcsranla biten a\u015fk\u0131 anlat\u0131l\u0131r. Bunlar o zamanlardaki hayat\u0131 izleyebilmek ad\u0131na ba\u015far\u0131l\u0131 \u00f6yk\u00fcler say\u0131labilir. Zohrab\u2019\u0131n yan\u0131nda, Avedis Avaronyan\u2019\u0131n yazd\u0131klar\u0131na \u00f6yk\u00fc diyebiliriz. \u00c7a\u011fda\u015flar\u0131na g\u00f6re daha yo\u011fun ve rafine bir anlat\u0131mla yazan Avaronyan\u2019\u0131n M\u00fcnzevi adl\u0131 \u00f6yk\u00fcs\u00fc, yaln\u0131z ve b\u0131kk\u0131n bir adam\u0131n Paris sokaklar\u0131nda ya\u015fad\u0131klar\u0131n\u0131 anlat\u0131r. \u201cHapishane M\u00fcd\u00fcr\u00fc\u201d ve \u201cYolda\u015f\u201d ba\u015fl\u0131klar\u0131na b\u00f6ld\u00fc\u011f\u00fc Zindanda adl\u0131 \u00f6yk\u00fcs\u00fcndeyse Avaronyan, Poevari bir anlat\u0131mla, bir hapishane ya\u015fananlar\u0131 kaleme alm\u0131\u015ft\u0131r. Dikran Gamsaragan ise okuyucuyu, \u0130stanbul\u2019un sokaklar\u0131ndan birine al\u0131r g\u00f6t\u00fcr\u00fcr. Hani Sait Faik gelip \u00fcst\u00fcne \u00e7al\u0131\u015fsa, onun \u00f6yk\u00fclerinin tad\u0131na b\u00fcr\u00fcnebilecek bir \u00f6yk\u00fc anlat\u0131r Gamsaragan. Haro adl\u0131 bu \u00f6yk\u00fc, \u0130stanbul\u2019a hamal veya kendi tabiriyle \u2018ren\u00e7per\u2019 olmak i\u00e7in gelen Haro\u2019nun kimsenin \u00e7eviremedi\u011fi bir tulumba \u00e7ark\u0131n\u0131, soka\u011f\u0131n bir k\u00f6\u015fesinde nas\u0131l \u00e7evirdi\u011fini anlat\u0131r.<\/p>\n

Zabel Asadur\u2019sa Boa adl\u0131 hik\u00e2yesinde, psikolojik analize yer vermi\u015ftir. Gen\u00e7 ve g\u00fczel bir kad\u0131n olan Makrig\u2019in Beyo\u011flu sokaklar\u0131nda k\u0131z\u0131na doktor bulmak i\u00e7in ko\u015ftururken bir giyim ma\u011fazas\u0131nda g\u00f6rd\u00fc\u011f\u00fc boay\u0131 (hik\u00e2yede ge\u00e7en tasvirinden boan\u0131n boyna at\u0131lan bir t\u00fcr t\u00fcyl\u00fc \u015fal oldu\u011fu d\u00fc\u015f\u00fcn\u00fcl\u00fcr) cebimdeki t\u00fcm parayla nefsine yenik d\u00fc\u015ferek sat\u0131n almas\u0131 anlat\u0131l\u0131r. Asadur\u2019un di\u011fer \u00f6yk\u00fcs\u00fc Serena da psikolojik a\u011f\u0131rl\u0131\u011f\u0131yla di\u011fer metinlerden ayr\u0131l\u0131r. Babas\u0131n\u0131n vefat\u0131yla Bursa\u2019dan \u0130stanbul\u2019a g\u00f6\u00e7 eden, evlenme ya\u015f\u0131 ge\u00e7ti ge\u00e7ecek bir k\u0131z\u0131n bu yeni \u015fehirde tutunmaya \u00e7al\u0131\u015fmas\u0131 irdelenmi\u015ftir. Hrand Asadur\u2019un Balo adl\u0131 hik\u00e2yesindeyse uzun y\u0131llara yay\u0131lan bir a\u015fk anlat\u0131l\u0131r. Bu hik\u00e2ye, klasik bir Ye\u015fil\u00e7am filminin senaryosundan pek de farks\u0131z de\u011fildir.<\/p>\n

Yazd\u0131klar\u0131n\u0131n daha deneysel olmas\u0131yla se\u00e7kideki di\u011fer yazarlardan ayr\u0131lan Rupen Zartanyan, Avedik \u0130sahagyan ve Zabel Yaseyan ise yaz\u0131lar\u0131nda a\u015fk\u0131, Buddha\u2019y\u0131 ve hayat\u0131 anlat\u0131rlar. B\u00fct\u00fcn bu yazarlar\u0131 bir arada ele al\u0131rsak, d\u00f6nemin toplumsal de\u011fi\u015fimlerini, kad\u0131n\u0131n toplumdaki yerini, birtak\u0131m sokak h\u00e2llerini ve bireye d\u00f6n\u00fck ruh \u00e7\u00f6z\u00fcmlemelerini g\u00f6r\u00fcr\u00fcz. Yay\u0131mland\u0131klar\u0131 d\u00f6nemde iki millet aras\u0131nda yak\u0131nla\u015fma do\u011furmas\u0131 umulan bu metinleri, ayn\u0131 y\u0131llarda T\u00fcrk yazarlar taraf\u0131ndan kaleme al\u0131nan metinlerden ay\u0131rmak hemen hemen imk\u00e2ns\u0131zd\u0131r.<\/p>\n

Kitab\u0131n ba\u015f\u0131nda yer alan be\u011fenceler, o zaman\u0131n Ermeni ve T\u00fcrk edebiyat\u0131n\u0131 k\u0131yaslama ve numunelerin etkisini \u00f6l\u00e7me a\u00e7\u0131s\u0131ndan yararl\u0131 olabilir. \u00d6rne\u011fin Abdullah Cevdet, Srents\u2019in derledi\u011fi kitap i\u00e7in: \u201cErmeni vatanda\u015flar\u0131m\u0131z\u0131n ruhunu bize daha \u00e7ok anlatacak ve daha \u00e7ok sevdirecektir,\u201d dedikten sonra, \u201cErmeni vatanda\u015flar\u0131m\u0131z\u0131n ruhunu dedim, evet, edebiyat\u00e7\u0131lar, \u015fairler bir milletin ruhudurlar, bir milletten bunlar \u00e7\u0131kar\u0131ld\u0131ktan sonra o milletten ne kal\u0131r? His ve ileti yetene\u011fini \u00e7\u0131kar\u0131rsan\u0131z insanda etten ba\u015fka ne kal\u0131r?\u201d diye s\u00f6zlerine devam etmektedir. \u015eahabettin S\u00fcleyman\u2019sa Srents\u2019e hitaben \u015f\u00f6yle seslenir: \u201cBir Arapla dinda\u015f oldu\u011fum h\u00e2lde, (onlarla) pek g\u00fc\u00e7l\u00fckle kayna\u015fabiliyorken sizlerden biriyle \u00e7ok kolay birle\u015febiliyor, \u00e7ok kolay yak\u0131nl\u0131k kurabiliyorum\u2026 \u00c7\u00fcnk\u00fc aram\u0131zda al\u0131\u015fkanl\u0131klar, ihtiya\u00e7lar, hatta hayat\u0131 alg\u0131lama tarz\u0131, \u00f6zellikle dil \u2013\u00e7\u00fcnk\u00fc siz hepiniz bizim dilimizi bilirsiniz- itibariyle bir\u00e7ok benzerlik ve yak\u0131nl\u0131k vard\u0131r. \u0130\u015fte siz Ermeni Edebiyat\u0131yla bu sebeplere bir yenisini daha eklemi\u015f oldunuz.\u201d<\/p>\n

Ermeni Edebiyat\u0131 Numuneleri-1913\u2019\u00fc okumak, kitab\u0131 her iki sayfada eski ve yeni dille izlemek okuyucunun akl\u0131nda baz\u0131 sorular do\u011furabilir: Bu edebi metinler birbirine daha fazla kayna\u015fabilir miydi, birbirlerini besleyip b\u00fcy\u00fctebilirler miydi, g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karamad\u0131\u011f\u0131m\u0131z ka\u00e7 tane daha \u00f6yk\u00fc\/anlat\u0131\/s\u00f6ylence var, kaybolup giden bir dil bu topluma ka\u00e7 \u00f6yk\u00fcye mal oldu? Yitirdiklerimizi bir kenara koyarsak, en az\u0131ndan \u015fimdi ortak \u00f6yk\u00fclere sahip \u00e7\u0131kabiliriz. Bu a\u00e7\u0131dan Ermeni Edebiyat\u0131 Numuneleri-1913 okunmay\u0131 hak eden \u00f6yk\u00fcler vadediyor.<\/p>\n

Bu \u00fcr\u00fcne babil.com\u2018dan ula\u015fabilirsiniz.<\/strong><\/em><\/p>\n

Ermeni Edebiyat\u0131 Numuneleri 1913 \u2013 Sarkis Srents<\/i><\/b><\/p>\n

Aras Yay\u0131nc\u0131l\u0131k<\/i><\/b><\/p>\n

http:\/\/www.arkakapak.com\/genel\/yitirilen-oykulerin-getirdigi-ermeni-edebiyati-numunelerinin-100-yillik-yolculugu\/<\/i><\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Nazl\u0131 Karab\u0131y\u0131ko\u011flu\u00a0 Osmanl\u0131 vatanda\u015f\u0131 bir Ermeni ayd\u0131n\u0131 olan Sarkis Srents\u2019in, Ermeniceden \u00e7evirip 1912-13 y\u0131llar\u0131 boyunca Servet-i F\u00fcnun dergisinde yay\u0131mlad\u0131\u011f\u0131 \u00f6yk\u00fcler \u015fimdi elimizde bir kitap toplam\u0131nda duruyor. Yay\u0131mlan\u0131\u015flar\u0131n\u0131n 100. y\u0131l\u0131nda, yeniden T\u00fcrk\u00e7ele\u015ftirilerek Aras Yay\u0131nlar\u0131 (May\u0131s, 2012) taraf\u0131ndan bas\u0131lan eserde 8 yazar\u0131n 14 \u00f6yk\u00fcs\u00fc\/anlat\u0131s\u0131 bulunuyor. Sunu\u015f yaz\u0131s\u0131nda da \u0131srarla s\u00f6ylendi\u011fi gibi, t\u00fcm bu \u00f6yk\u00fcler (ya da anlat\u0131lar) […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,54],"tags":[],"class_list":["post-33420","post","type-post","status-publish","format-standard","hentry","category-haberler","category-kitaplar-elestiriler"],"yoast_head":"\nYitirilen \u00f6yk\u00fclerin getirdi\u011fi: Ermeni edebiyat\u0131 numunelerinin 100 y\u0131ll\u0131k yolculu\u011fu - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=33420\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yitirilen \u00f6yk\u00fclerin getirdi\u011fi: Ermeni edebiyat\u0131 numunelerinin 100 y\u0131ll\u0131k yolculu\u011fu - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Nazl\u0131 Karab\u0131y\u0131ko\u011flu\u00a0 Osmanl\u0131 vatanda\u015f\u0131 bir Ermeni ayd\u0131n\u0131 olan Sarkis Srents\u2019in, Ermeniceden \u00e7evirip 1912-13 y\u0131llar\u0131 boyunca Servet-i F\u00fcnun dergisinde yay\u0131mlad\u0131\u011f\u0131 \u00f6yk\u00fcler \u015fimdi elimizde bir kitap toplam\u0131nda duruyor. Yay\u0131mlan\u0131\u015flar\u0131n\u0131n 100. y\u0131l\u0131nda, yeniden T\u00fcrk\u00e7ele\u015ftirilerek Aras Yay\u0131nlar\u0131 (May\u0131s, 2012) taraf\u0131ndan bas\u0131lan eserde 8 yazar\u0131n 14 \u00f6yk\u00fcs\u00fc\/anlat\u0131s\u0131 bulunuyor. 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