{"id":32571,"date":"2014-12-03T02:47:04","date_gmt":"2014-12-03T07:47:04","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=32571"},"modified":"2014-12-03T02:47:04","modified_gmt":"2014-12-03T07:47:04","slug":"1915in-golgesinde-ofkenin-senligi","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=32571","title":{"rendered":"1915’in g\u00f6lgesinde ‘\u00d6fkenin \u015eenli\u011fi’"},"content":{"rendered":"

\"Jaklin<\/a>Jaklin \u00c7elik\u2019in roman\u0131, 1915\u2019in ard\u0131ndan hayata tutunmaya \u00e7al\u0131\u015fanlar\u0131n \u00f6yk\u00fcs\u00fcn\u00fc anlat\u0131yor\u2026<\/strong><\/em>
\nEdebiyat\u00e7\u0131 Jaklin \u00c7elik\u2019in Ermeni Soyk\u0131r\u0131m\u0131\u2019n\u0131n g\u00f6lgesinde ya\u015fayan birka\u00e7 karakterin hayat hik\u00e2yesini anlatt\u0131\u011f\u0131 \u00d6fkenin \u015eenli\u011fi adl\u0131 roman\u0131, ABD\u2019de yay\u0131n yapan The Armenian Weekly gazetesinde yay\u0131mlanan bir makaleyle ele al\u0131nd\u0131.<\/strong><\/em><\/p>\n

\u0130leti\u015fim Yay\u0131nevi taraf\u0131ndan 2011 y\u0131l\u0131nda yay\u0131mlanan ve edebiyat \u00e7evrelerinde \u00f6vg\u00fcyle kar\u015f\u0131lanan roman, T\u00fcrk\u00e7e yay\u0131mlanmas\u0131n\u0131n ard\u0131ndan K\u00fcrt\u00e7eye de \u00e7evrilmi\u015fti.<\/strong><\/em>
\nEdebiyat alan\u0131nda alt\u0131nc\u0131 kitab\u0131n\u0131 yay\u0131mlamaya haz\u0131rlanan \u00c7elik\u2019in roman\u0131 hakk\u0131nda, The Armenian Weekly gazetesinde 26 Kas\u0131m 2014\u2019te yay\u0131mlanan Aziz G\u00f6kdemir\u2019in makalesini, \u0130ngilizce asl\u0131ndan Mehmet Ali Bah\u0131t\u2019\u0131n \u00e7evirisiyle sunuyoruz:<\/strong><\/em><\/p>\n

Jaklin \u00c7elik\u2019in roman\u0131 \u2018\u00d6fkenin \u015eenli\u011fi\u2019 \u00fczerine bir inceleme<\/strong>
\nAziz G\u00f6kdemir<\/strong>
\nBug\u00fcn T\u00fcrkiye\u2019de herhangi bir yerle\u015fimde gezintiye \u00e7\u0131ksan\u0131z k\u0131sa bir s\u00fcre sonra bir avu\u00e7, belki bir mahalle olu\u015fturacak say\u0131da eve denk gelirsiniz. Farkl\u0131 harabelik a\u015famalar\u0131nda bulunan bu evlerin bir k\u0131sm\u0131n\u0131n kentsel d\u00f6n\u00fc\u015f\u00fcm faaliyeti dahilinde bir \u201cyeniden do\u011fu\u015f\u201d ya\u015famakta oldu\u011funa da tan\u0131k olursunuz elbette. Genel olarak Osmanl\u0131 ya da \u201ceski T\u00fcrk\u201d evleri olarak an\u0131lan bu binalar\u0131n yaln\u0131zca diren\u00e7li canl\u0131l\u0131klar\u0131 ile de\u011fil, sindirilmi\u015f bir tasar\u0131m anlay\u0131\u015f\u0131n\u0131 yans\u0131tt\u0131klar\u0131 i\u00e7in g\u00f6ze \u00e7arpt\u0131\u011f\u0131 s\u00f6ylenebilir. Bu \u00f6zellikler, sadece birka\u00e7 sokak \u00f6tede g\u00f6\u011fe do\u011fru yar\u0131\u015fan beton kulelerde insan\u0131n i\u00e7ini ac\u0131tacak derecede eksiktir; orada merhum Romen diktat\u00f6r \u00c7avu\u015fesku\u2019nun kentsel yenilenme esteti\u011fi \u2013belki biraz daha zevkli i\u00e7 tasar\u0131mlar ve son model beyaz e\u015fyalar ile\u2013 yeniden yarat\u0131l\u0131yor.
\nGelip ge\u00e7enlerden mimari tarihe ilgi duyan baz\u0131lar\u0131, eski evlerin \u00e7o\u011funlukla Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nun H\u0131ristiyan tebaas\u0131 (b\u00f6lgesine g\u00f6re Rumlar, Ermeniler, S\u00fcryaniler) taraf\u0131ndan in\u015fa edildi\u011fini bilir. Haftasonu \u015fehir k\u00e2\u015fifli\u011fi yaparken pejm\u00fcrde \u015f\u0131kl\u0131k \u00f6rnekleriyle samimiyet kurmak i\u00e7in kameras\u0131n\u0131 \u00e7\u0131kar\u0131verenler belki bir an durup, mesela \u201ckentsel doku\u201d ya da \u201cmekan hissi\u201dnin yitirilmesi \u00fczerine kafa yorabilirler. \u0130nsanlar s\u00f6zkonusu oldu mu \u2013 neticede bu ustalar canl\u0131 bir k\u00fclt\u00fcr bar\u0131nd\u0131ran cemaatlerin birer par\u00e7as\u0131yd\u0131lar ve onlar\u0131n da bir yerlerde, belki de \u015fimdi resmi \u00e7ekilen bu evlerde, ya\u015famaya ihtiyac\u0131 vard\u0131\u2013 zihinlerde dipnot d\u00fczeyinden terfi ettirilince oturtulduklar\u0131 yer genelde \u00e7o\u011funluk ba\u011flam\u0131d\u0131r: Onlar\u0131 kaybettik; toplumumuza renk kat\u0131yorlard\u0131 ve art\u0131k burada de\u011filler.
\nBurada, \u201cKayb\u0131n\u0131z i\u00e7in \u00fczg\u00fcn\u00fcz karde\u015fim, peki ya onlar?\u201d diye bir soru akla gelebilir. Ama belki de b\u00f6yle bir muhabbete girmek i\u00e7in sokak pek uygun bir mekan de\u011fil. Neticede insanlar\u0131n hepsi gitmi\u015f de de\u011fil. Bir tanesi, ya\u015fl\u0131, telek gibi b\u00fck\u00fclm\u00fc\u015f bir kad\u0131n, Ramela, bir\u00e7ok \u015fehir sakininin aceleyle \u00f6n\u00fcnden ge\u00e7ti\u011fi bu yava\u015f yava\u015f y\u0131k\u0131lan evlerden birinde ya\u015famakta \u2013 Jaklin \u00c7elik\u2019in Ermeni Soyk\u0131r\u0131m\u0131\u2019n\u0131n g\u00f6lgesinde ya\u015fayan birka\u00e7 kad\u0131n\u0131n hikayesini anlatt\u0131\u011f\u0131 ince, g\u00fc\u00e7l\u00fc roman\u0131 \u00d6fkenin \u015eenli\u011fi\u2019nin sayfalar\u0131 aras\u0131nda. T\u00fcrkiye\u2019nin \u00f6nde gelen yay\u0131nevlerinden \u0130leti\u015fim taraf\u0131ndan 2011 y\u0131l\u0131nda yay\u0131nlanan ve \u00f6vg\u00fcyle kar\u015f\u0131lanan roman, d\u00fcnyan\u0131n geri kalan\u0131nda neredeyse tan\u0131nm\u0131yor. (Kitap, T\u00fcrk\u00e7e d\u0131\u015f\u0131nda sadece K\u00fcrt\u00e7ede yay\u0131mland\u0131.)
\nTabular\u0131n \u00e7ok zor \u00f6ld\u00fc\u011f\u00fc ve \u00e7o\u011fu zaman \u00f6l\u00fcrken kurban ald\u0131\u011f\u0131 T\u00fcrkiye\u2019de Ermeni bir yazar olmasan\u0131z bile, bir soyk\u0131r\u0131m\u0131 edebi tema olarak ele almak, se\u00e7ti\u011finiz olay\u0131n ve ki\u015fisel tarihinizle ne kadar \u00f6rt\u00fc\u015ft\u00fc\u011f\u00fcnden ba\u011f\u0131ms\u0131z olarak belirli bir risk ta\u015f\u0131yor (William Styron\u2019a Sophie\u2019nin Se\u00e7imi y\u00fcz\u00fcnden y\u00f6neltilen tepkileri hat\u0131rlay\u0131n). Bunlar\u0131n hi\u00e7birinden \u00e7ekinmeyen \u00c7elik, sadece birka\u00e7 karaktere odaklanarak ve hikayelerini \u00f6z\u00fcne indirgeyip k\u0131sa b\u00f6l\u00fcmler, sahneler ve par\u00e7alarla anlatarak zoru a\u015f\u0131yor. Atlama tekni\u011fine kafay\u0131 takm\u0131\u015f bir y\u00f6netmen hilesi olmaktan \u00e7ok uzak bu tarz, anlat\u0131n\u0131n rahats\u0131z edici tonuna ve karakterlerin hepsini bekleyen belirsizli\u011fe tam olarak uyuyor \u2013 ve Ermeni deneyimi \u00fczerine daha fazla ilgiyi hak eden bir ba\u015fka eseri, Peter Najarian\u2019\u0131n Belle\u011fin K\u0131zlar\u0131 roman\u0131n\u0131 hat\u0131rlat\u0131yor.
\n\u00c7elik\u2019in s\u0131k \u00f6r\u00fcl\u00fc anlat\u0131s\u0131 100 sayfan\u0131n biraz \u00fczerinde ama bu uzunluk sizi yan\u0131ltmas\u0131n; metaforlar ve g\u00f6ndermelerle dolu, \u00e7ok katmanl\u0131 metin be\u015f y\u0131lda yaz\u0131lm\u0131\u015f. Yazar soyk\u0131r\u0131m\u0131n ana hatlar\u0131 ve \u00f6zellikle \u201ckurtar\u0131lm\u0131\u015f\u201d k\u0131zlar olgusu konusunda bilgi sahibi olundu\u011funu varsay\u0131yor. Bu nedenle kitap, T\u00fcrk ve Ermeni tarihine yabanc\u0131 olan okurlar i\u00e7in zahmetsiz bir rota sunmuyor; T\u00fcrkiyeli okuyuculara gelince, resmi ink\u00e2r politikalar\u0131yla b\u00fcy\u00fcm\u00fc\u015f olanlar\u0131n bile kitab\u0131n \u00e7er\u00e7evesini anlamakta sorun ya\u015famayaca\u011f\u0131 rahatl\u0131kla s\u00f6ylenebilir. Bu, Ermeni Diasporas\u0131\u2019ndaki potansiyel okuyucular ve yak\u0131n tarihte Bosna, Kongo Demokratik Cumhuriyeti gibi \u00fclkelerde ya\u015fanan olaylar\u0131 kabaca bilenler i\u00e7in de ge\u00e7erli.
\nS\u00f6zkonusu \u00e7er\u00e7eve \u015f\u00f6yle \u00f6zetlenebilir: Roman\u0131n \u00e7e\u015fitli sahnelerinde bazen b\u00fcy\u00fck ve cazg\u0131r bir ekibin par\u00e7as\u0131 olarak kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131z \u2013nefret edilen, ku\u015fat\u0131lan, \u015fekli belirsiz bir s\u00fcr\u00fc haline getirilip kovalanan bir insan toplulu\u011funu temsil etti\u011fi anla\u015f\u0131lan\u2013 bir s\u0131\u00e7an\u0131n neredeyse mahvetti\u011fi bir Paskalya ayinini betimleyen giri\u015f b\u00f6l\u00fcm\u00fcnden sonra kitab\u0131n anlat\u0131c\u0131s\u0131n\u0131 Hindistan, Kanada ve Avrupa\u2019da seyahatle ge\u00e7en uzun bir d\u00f6nem sonras\u0131 \u0130stanbul\u2019a vard\u0131\u011f\u0131nda g\u00f6r\u00fcr\u00fcz. Yukar\u0131da bahsetti\u011fimiz gibi in\u015faat makinelerinin \u201ct\u0131rnaklar\u0131n\u0131 ge\u00e7irdi\u011fi\u201d bu \u015fehirle g\u00fc\u00e7l\u00fc bir ba\u011flant\u0131 hissetmedi\u011fini s\u00f6yleyen kad\u0131n, kal\u0131\u015f\u0131n\u0131 m\u00fcmk\u00fcn oldu\u011funca k\u0131sa tutmaya niyetli oldu\u011funu a\u00e7\u0131klar. (\u00c7elik, anlat\u0131c\u0131s\u0131n\u0131n cinsiyetini asla a\u00e7\u0131klam\u0131yor ama yazar ile anlat\u0131c\u0131 aras\u0131nda oldu\u011fu \u00f6ne s\u00fcr\u00fclen ko\u015futluklar ve se\u00e7im yapmak zorunda olmam nedeniyle \u2013T\u00fcrk\u00e7ede \u00fc\u00e7\u00fcnc\u00fc \u015fah\u0131s cinsiyetsiz olarak ifade edilebilir ama \u0130ngilizcede bu m\u00fcmk\u00fcn de\u011fil\u2013 yaz\u0131n\u0131n kalan\u0131nda zamir kullanmak gerekti\u011finde anlat\u0131c\u0131y\u0131 kad\u0131n olarak anaca\u011f\u0131m). \u00c7ocuklu\u011funu ge\u00e7irdi\u011fi ve \u015fimdi ona miras kalm\u0131\u015f viraneyi (evi y\u0131k\u0131p bir restorana \u00e7evirmeyi planlayan, kentsel d\u00f6n\u00fc\u015f\u00fcm kurdu bir m\u00fcteahhitin al\u0131m-sat\u0131m i\u015flerini y\u00fcr\u00fcten bir emlak\u00e7\u0131ya) satar satmaz \u00e7ekip gitmek niyetindedir.
\nNe var ki ev deyip ge\u00e7memeli; Nicole Krauss\u2019un B\u00fcy\u00fck Ev kitab\u0131n\u0131 okuyanlar bunu iyi bilir. \u0130simsiz anlat\u0131c\u0131, bir s\u00fcre sonra odalar\u0131 dolduran an\u0131lar\u0131n, ge\u00e7mi\u015fin g\u00f6r\u00fclmemi\u015f hesaplar\u0131n\u0131n y\u00fck\u00fcyle ezilir ve evi emlak\u00e7\u0131ya her gezdiri\u015finde bo\u011fulacak gibi olur.
\nBu d\u00f6rt katl\u0131 ah\u015fap ev, kitab\u0131n ilk 10 sayfas\u0131nda aile tarihini yava\u015f yava\u015f g\u00f6z \u00f6n\u00fcne sermeye ba\u015flar. \u00d6l\u00fclerin g\u00f6r\u00fcnt\u00fcleri, evde yaln\u0131z ya\u015fayan, kimsesiz kalm\u0131\u015f bir aile b\u00fcy\u00fc\u011f\u00fc diye tan\u0131mlayabilece\u011fimiz Ramela\u2019n\u0131n huzursuz haf\u0131zas\u0131nda par\u00e7alar halinde canlan\u0131r. Ramela tak\u0131nt\u0131l\u0131 bir \u015fekilde \u00f6l\u00fcler i\u00e7in yemek pi\u015firmekte ve bunlar\u0131 s\u0131\u00e7anlar\u0131n yemesi i\u00e7in ortal\u0131\u011fa b\u0131rakmaktad\u0131r. Bu b\u00f6l\u00fcmler anlat\u0131c\u0131n\u0131n zihninde \u00e7ocukluk an\u0131lar\u0131 ile, kendi ailesiyle bu evde oturdu\u011fu b\u00fcy\u00fcme d\u00f6nemi ile ve daha sonra bir \u015fekilde bu evde ya\u015famaya ba\u015flam\u0131\u015f Ramela\u2019y\u0131 ziyareti ile \u00e7arp\u0131\u015f\u0131r. Anlat\u0131c\u0131 i\u00e7in ev (belki de annesi ile babas\u0131 aras\u0131ndaki so\u011fuk sava\u015ftan ka\u00e7mak i\u00e7in) saklamba\u00e7 oynad\u0131\u011f\u0131 ve (\u015f\u00fcphesiz Ramela\u2019n\u0131n zaman zaman anlatt\u0131\u011f\u0131 ger\u00e7ek hikayelerin esin verdi\u011fi) hayali iblisler yaratt\u0131\u011f\u0131 bir yerdir. Anlat\u0131c\u0131, \u015fimdi y\u0131llar sonra bu iblisleri g\u00f6mmeye \u00e7al\u0131\u015facakt\u0131r; bunda pek ba\u015far\u0131l\u0131 oldu\u011funu s\u00f6yleyemeyiz.
\nBunlar\u0131n d\u0131\u015f\u0131nda bir de anlat\u0131c\u0131ya Toronto\u2019da teslim edilmi\u015f bir sa\u00e7 buklesi meselesi vard\u0131r can s\u0131kan. Anlat\u0131c\u0131, bukleyi Harput\u2019ta g\u00f6merek, yakla\u015f\u0131k bir as\u0131r \u00f6nce izi kaybedilmi\u015f ve bir daha g\u00f6r\u00fclmemi\u015f d\u00f6rt ya\u015f\u0131nda bir k\u0131zla tekrar bir araya getirmeye s\u00f6z vermi\u015ftir. Gergin, s\u00fcrekli Xanax yutan anlat\u0131c\u0131m\u0131z evle ba\u015fa \u00e7\u0131kmaya \u00e7al\u0131\u015f\u0131rken iki b\u00f6l\u00fcmde bir Ramela\u2019ya geri d\u00f6ner ve mahallenin 18. y\u00fczy\u0131lda in\u015fa edilmi\u015f kilisesindeki unutulmaz Paskalya ayinini takip eden gecenin hikayesine kald\u0131\u011f\u0131m\u0131z yerden devam ederiz. Ramela\u2019n\u0131n kiliseden eve getirdi\u011fi bir mumun \u0131\u015f\u0131\u011f\u0131nda duvarda yava\u015f yava\u015f \u00fc\u00e7 foto\u011fraf belirir. Ramela\u2019n\u0131n g\u00f6zleri resimlere kilitlenir ve foto\u011fraflar e\u015fli\u011finde hikayenin \u00f6z\u00fc ortaya \u00e7\u0131kar; \u00f6nce kaba hatlar\u0131yla, daha sonraki b\u00f6l\u00fcmlerde gitgide belirginle\u015ferek \u00f6n\u00fcm\u00fcze konan anlat\u0131, ancak kalan\u0131n\u0131 okuyucunun hayal etmesine yetecek kadar detay i\u00e7ermektedir.
\n\u00c7elik, okuyucusuna yard\u0131m etmek i\u00e7in uzun, betimleyici pasajlar, uzat\u0131lm\u0131\u015f diyalog ya da do\u011frusal bir anlat\u0131m kullanan bir yazar de\u011fil. Okurun karakterlerin i\u00e7 seslerini duymas\u0131n\u0131 ve noktalar\u0131 birle\u015ftirerek neler oldu\u011funu kendisinin \u00e7\u00f6zmesini tercih ediyor \u2013 ve bu noktalar genellikle yan yana de\u011fil, aralar\u0131nda birka\u00e7 (k\u0131sa) b\u00f6l\u00fcm var. Ankara\u2019da bir d\u00fc\u011f\u00fcne kat\u0131lmak i\u00e7in \u0130stanbul\u2019un g\u00f6rece g\u00fcvenli ortam\u0131ndan uzakla\u015f\u0131p 1915\u2019teki karma\u015fan\u0131n i\u00e7ine d\u00fc\u015fen Ramela, s\u00fcregelen \u00f6l\u00fcm y\u00fcr\u00fcy\u00fc\u015f\u00fc boyunca k\u0131zlar\u0131n\u0131 korumak i\u00e7in elinden geldi\u011fince yarat\u0131c\u0131 \u00e7\u00f6z\u00fcmler \u00fcretir. K\u00fc\u00e7\u00fck k\u0131z\u0131 \u015eake\u2019yi Halep yak\u0131nlar\u0131nda bir grup yabanc\u0131ya teslim eder. Daha sonra Suriye\u2019nin i\u00e7lerinde kendisi ve b\u00fcy\u00fck k\u0131z\u0131 Mari i\u00e7in g\u00fcvenli bir yer bulur. Bu s\u0131\u011f\u0131na\u011f\u0131 onlara sunan, kendi ailesini b\u0131rak\u0131p 15 ya\u015f\u0131ndaki Mari\u2019yi gelin alan Ramela ya\u015f\u0131ndaki Ra\u015fit Efendi adl\u0131 bir Arapt\u0131r. Ne var ki duvardaki resimlerden birinde g\u00f6r\u00fclen yeni ya\u015famlar\u0131 ba\u015flang\u0131\u00e7tan itibaren zehirlenmi\u015ftir, Mari\u2019nin \u00f6l\u00fc do\u011fan \u00e7ocu\u011fuyla simgelendi\u011fi gibi… \u00c7\u00f6k\u00fc\u015f, k\u0131sa bir aradan sonra devam eder.
\nOlay \u00f6rg\u00fcs\u00fc bu noktada geri plana itiliyor ve \u00c7elik, felaketi ele alan en uzun soluklu edebi eserlerin baz\u0131lar\u0131n\u0131 hat\u0131rlatan bir yo\u011funluk i\u00e7eren zengin bir \u0131zd\u0131rap ve yas tablosu \u00e7izmeye ba\u015fl\u0131yor. K\u0131sa patlamalarla olu\u015fturulan metnin yan\u0131nda \u00f6rne\u011fin Musa Da\u011f\u2019da K\u0131rk G\u00fcn\u2019\u00fcn kal\u0131nl\u0131\u011f\u0131 d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fcnde, buna \u00d6l\u00fcm F\u00fcg\u00fc\u2019n\u00fcn d\u00fczyaz\u0131 hali denebilir.
\nRoman\u0131n \u00f6l\u00e7\u00fcl\u00fc tonu, y\u00fcr\u00fcy\u00fc\u015fler s\u0131ras\u0131nda ge\u00e7en baz\u0131 b\u00f6l\u00fcmlerde s\u0131n\u0131r\u0131 zorluyor (Ararat filminde Atom Egoyan\u2019\u0131n kontroll\u00fc i\u00e7 mekanlar\u0131n\u0131n birden a\u00e7\u0131l\u0131p \u00e7\u00f6lde y\u00fcr\u00fcyen binlerce insan\u0131 g\u00f6sterdi\u011fi sahneyi hat\u0131rlay\u0131n) ama o zaman bile kitab\u0131n dili ba\u011f\u0131rt\u0131s\u0131z ve dolamba\u00e7l\u0131. Metin, ya\u015fanan zul\u00fcmleri \u00f6l\u00fcm sahneleri kullanmadan aktar\u0131yor. Parlayan k\u0131l\u0131\u00e7lar yok, s\u0131y\u0131r\u0131p ge\u00e7en kur\u015funlar yok, \u00f6l\u00fclerin y\u00fcz\u00fcnde donmu\u015f ac\u0131y\u0131 s\u0131r\u0131tarak kar\u015f\u0131layan a\u011f\u0131zlar yok. Su\u00e7lular\u0131n i\u015fini edebi simgeler \u00fcstleniyor: V\u00fccutlar (hem felaketin kuvvetini simgeleyen, hem de ruh ar\u0131nd\u0131r\u0131c\u0131 olan) su dalgalar\u0131yla yutulup t\u00fck\u00fcr\u00fcl\u00fcyor, suyun \u00fczerinde Son Yemek\u2019ten yeni \u00e7\u0131km\u0131\u015f \u0130sa y\u00fcr\u00fcyerek geliyor ve kana bulanm\u0131\u015f topra\u011fa dokunarak \u00f6l\u00fclerin ruhlar\u0131n\u0131 kutsay\u0131p ufukta kayboluyor.
\nZaman, kat\u0131 ve insafs\u0131z, d\u00fc\u015fman olarak ortaya \u00e7\u0131k\u0131yor; hayatta kalanlarla oynuyor, onlar\u0131 tartakl\u0131yor ve \u00f6ld\u00fcklerinde duruyor. Kumandanlar\u0131n\u0131n i\u00e7ten i\u00e7e \u00e7\u00fcr\u00fcd\u00fc\u011f\u00fcn\u00fc (mecazi de\u011fil, ger\u00e7ek anlamda) g\u00f6rd\u00fc\u011f\u00fcm\u00fcz askerler geri \u00e7ekiliyor, yapacaklar\u0131n\u0131 yapm\u0131\u015f olduklar\u0131 i\u00e7in.
\nKadim \u0131rmaklar F\u0131rat, Dicle ve Zap Suyu, y\u00fcr\u00fcyen insan kitlesinden akan kanlar\u0131 al\u0131p g\u00f6t\u00fcr\u00fcyor. \u201cG\u00f6ky\u00fcz\u00fc bir aynayd\u0131,\u201d diyor \u00c7elik. \u201cAzal\u0131yorlard\u0131. Yetimler, g\u00f6z\u00fc bo\u015flukta deliler, a\u011f\u0131t\u0131n\u0131 yutmu\u015f kad\u0131nlar, g\u00f6z\u00fc toprakta erkeklerdi geride kalanlar. \u015eake bir ta\u015f\u0131n kenar\u0131na ili\u015fmi\u015f yalvar\u0131r g\u00f6zlerle bak\u0131yordu annesine, onu b\u0131rakmamas\u0131 i\u00e7in. Tan\u0131mad\u0131\u011f\u0131 \u00fc\u00e7-be\u015f adamla bilmedi\u011fi bir kurtulu\u015fa do\u011fru y\u00fcr\u00fcyordu. Yol ald\u0131k\u00e7a siliniyordu aynadan g\u00f6r\u00fcnt\u00fcs\u00fc, yery\u00fcz\u00fcnden silueti.\u201d
\nS\u00fcrekli kullan\u0131lsa b\u00f6yle albenili bir anlat\u0131m as\u0131l olanlar\u0131 g\u00f6lgeleyebilir, ama kitab\u0131n ba\u015fka b\u00f6l\u00fcmlerinde \u00c7elik ya\u015fanan felaketleri hi\u00e7bir simgeye ba\u015fvurmadan anlat\u0131yor. \u00d6l\u00fc \u00e7ocuklar g\u00f6m\u00fcl\u00fcyor, hayatta kalanlar onlar\u0131n minik ellerini, ayaklar\u0131n\u0131, g\u00f6\u011fe \u00e7evrilmi\u015f y\u00fczlerini bir an \u00f6nce \u00f6rtmek i\u00e7in m\u00fcmk\u00fcn oldu\u011funca h\u0131zl\u0131 toprak at\u0131yor; a\u00e7l\u0131k, suda bekletilip yumu\u015fat\u0131lm\u0131\u015f tahta par\u00e7alar\u0131 \u00e7i\u011fnenerek zar zor zaptediliyor.
\n\u00d6fkenin \u015eenli\u011fi\u2019nin pek \u00e7ok isimsiz kurban\u0131 var, hepsinin kaderi belli; ama ana karakterler s\u00f6zkonusu oldu\u011funda \u00c7elik ayr\u0131nt\u0131ya girmekten ka\u00e7\u0131n\u0131yor. Bir an dikkatiniz da\u011f\u0131lsa Ramela\u2019ya kiler merdiveninin ba\u015f\u0131nda ne oldu\u011funu ka\u00e7\u0131rabilirsiniz. S\u0131k s\u0131k k\u00fc\u00e7\u00fck \u00e7ocuk \u015eake\u2019ye geri d\u00f6n\u00fcyoruz ama Mari neredeyse hi\u00e7 g\u00f6r\u00fcnm\u00fcyor. Mari\u2019nin ba\u015f\u0131na gelenler, \u015f\u00fcpheye yer b\u0131rakmayacak bir kesinlikle ama ayn\u0131 zamanda m\u00fcmk\u00fcn oldu\u011funca az kelimeyle anlat\u0131l\u0131yor.
\n\u015eake\u2019ye gelince, onun s\u0131rr\u0131 kitap boyunca a\u00e7\u0131klanm\u0131yor. Onu son g\u00f6r\u00fc\u015f\u00fcn\u00fcn \u00fczerinden y\u0131llar ge\u00e7tikten sonra Ramela, \u201c\u015eake acaba \u00f6lmeyi becerebilmi\u015f miydi?\u201d diye d\u00fc\u015f\u00fcn\u00fcr. Ramela\u2019n\u0131n kurtulu\u015f \u00fcmidiyle \u015eake\u2019yi yabanc\u0131lara emanet etmesinden sonra onu ka\u00e7arken g\u00f6r\u00fcr\u00fcz. Daha sonra Ay\u015fe olarak kar\u015f\u0131m\u0131za \u00e7\u0131kar, \u00e7ocuk gelin olarak ilk gecesini ya\u015far ve sonra yeni ailesi taraf\u0131ndan kovulur (Ay\u015fe, \u00e7ocukken peygamber ile evlenen \u00fcnl\u00fc Arap \u015fahsiyet Aisha\u2019dan t\u00fcretilmi\u015f \u00e7ok yayg\u0131n bir T\u00fcrk ismidir). Nihayet, papaz\u0131 belki kanl\u0131 bir \u015fekilde \u00f6ld\u00fcr\u00fclm\u00fc\u015f, belki de \u00f6ld\u00fcr\u00fclmemi\u015f olan bir manast\u0131r\u0131n topraklar\u0131nda dola\u015ft\u0131ktan sonra onu \u00f6ld\u00fcrmeye niyetli bir grubun elinden ka\u00e7ar \u015eake, ve son olarak bir grup askerin s\u0131\u011f\u0131nd\u0131\u011f\u0131 bir ma\u011farada saklan\u0131rken g\u00f6r\u00fcl\u00fcr. Stan Brakhage\u2019\u0131n deneysel filmlerindeki vinyetler gibi birbirine eklenmi\u015f sanr\u0131sal kar\u015f\u0131la\u015fmalar ve v\u00fccut terk etme deneyimlerini anlatan pek \u00e7ok sahnede (burada tarz yine bir t\u00fcrl\u00fc bitmeyen, anlat\u0131lmas\u0131 imkans\u0131z bir cinnet d\u00f6neminin egemenli\u011fiyle \u00f6rt\u00fc\u015f\u00fcyor), ailesinin \u00f6lm\u00fc\u015f, \u00f6lmemi\u015f, hatta asla do\u011fmam\u0131\u015f \u00fcyeleriyle ve \u015fimdiki v\u00fccudunun i\u00e7inde hapsolmu\u015f eski, endi\u015feli benli\u011fiyle konu\u015fur \u015eake. Ma\u011fara, ana rahmi gibi s\u0131cak ve huzurlu, \u015eake\u2019nin hikayesinin \u00e7emberini tamamlar ama bize net bir biti\u015f sunmaz. T\u0131pk\u0131 Ay\u015fe\u2019nin \u015eake\u2019yi art\u0131k sonsuza dek saklamas\u0131 gibi ma\u011fara onu sarmalamaktad\u0131r.
\nYukar\u0131da de\u011findi\u011fim sa\u00e7 buklesine gelince, nas\u0131l olup da k\u00fc\u00e7\u00fck sahibinden ayr\u0131 d\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc ve yolculu\u011funu nas\u0131l tamamlad\u0131\u011f\u0131n\u0131 merak edebilirsiniz. Hikayenin ba\u015flang\u0131c\u0131, sa\u00e7\u0131n sar\u0131l\u0131 oldu\u011fu gazete ka\u011f\u0131d\u0131na \u00e7iziktirilmi\u015f birka\u00e7 sat\u0131rda ortaya \u00e7\u0131kar. \u201cBu \u00e7ocu\u011fun ad\u0131 \u015eirag\u2019d\u0131r,\u201d diye yazar bir anne. \u201cSoyad\u0131 Asaduryan, Harputlu. \u015eirag benim o\u011flumdur. Bu sa\u00e7lar k\u0131z\u0131m Naro\u2019ya ait. Naro\u2019nun sa\u00e7\u0131n\u0131 sa\u011f kula\u011f\u0131n\u0131n arkas\u0131ndan, dipten kal\u0131n bir tutam olarak kestim. Ola ki, Tanr\u0131 esirgesin, \u015eirag sizi Naro\u2019nun bulundu\u011fu yere g\u00f6t\u00fcremezse ya da gitti\u011finizde onu b\u0131rakt\u0131\u011f\u0131m yerde bulamazsan\u0131z etrafta g\u00f6rece\u011finiz sa\u011f kula\u011f\u0131n\u0131n arkas\u0131ndan sa\u00e7\u0131 olmayan, d\u00f6rt ya\u015f\u0131ndaki k\u0131z \u00e7ocu\u011fu benim k\u0131z\u0131md\u0131r. \u015eirag ve Naro\u2019yu yazd\u0131\u011f\u0131m adrese b\u0131rak\u0131n. Ya babalar\u0131 ya da ben, birbirimizi kaybetmeden \u00f6nce anla\u015ft\u0131\u011f\u0131m\u0131z gibi onlar\u0131 almaya gidece\u011fiz. Umuyorum…\u201d
\nBir tutam sa\u00e7\u0131n hikayesinin nas\u0131l sonland\u0131\u011f\u0131na dair s\u00f6yleyeceklerimse \u015funlar: 1) Onu bo\u015fverin siz ve 2) bu ola\u011fan\u00fcst\u00fc, rahat \u00e7al\u0131c\u0131, s\u0131rlar\u0131n\u0131 kolay teslim etmeyen kitapta yer alan di\u011fer her \u015fey, buklenin ak\u0131betiyle tam bir uyum i\u00e7inde.<\/p>\n

AZ\u0130Z G\u00d6KDEM\u0130R HAKKINDA<\/strong>
\nT\u00fcrkiye\u2019de yay\u0131mlanan iki \u00f6yk\u00fc kitab\u0131 bulunuyor Aziz G\u00f6kdemir, 2008\u2019de William Saroyan\u2019\u0131n 100. ya\u015f\u0131 kutlamalar\u0131 \u00f6ncesine denk gelen, sekiz y\u0131l boyunca \u0130stanbul\u2019daki Aras Yay\u0131nc\u0131l\u0131k\u2019\u0131n yay\u0131mlad\u0131\u011f\u0131 William Saroyan dizisini y\u00f6netti. Simgele\u015fmi\u015flerden \u201cSen Bir Ermeni, Ben Bir Ermeni\u201d az bilinenlere \u201cVan G\u00f6l\u00fc\u2019ne\u201d uzanan geni\u015f bir yelpazeden se\u00e7ilen eserlerin baz\u0131lar\u0131n\u0131 \u00e7evirdi, kitaplar\u0131n sunu\u015f yaz\u0131lar\u0131n\u0131 yazd\u0131. Ermeni edebiyat\u0131 ve tarihi hakk\u0131ndaki yaz\u0131lar\u0131, haftal\u0131k Agos gazetesinde ve ba\u015fka yay\u0131nlarda yer ald\u0131. G\u00f6kdemir, hayat\u0131n\u0131 1990\u2019l\u0131 y\u0131llardan beri Washington\u2019da edit\u00f6r olarak s\u00fcrd\u00fcr\u00fcyor.<\/p>\n

http:\/\/www.demokrathaber.net\/kitap\/1915in-golgesinde-ofkenin-senligi-h41550.html<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Jaklin \u00c7elik\u2019in roman\u0131, 1915\u2019in ard\u0131ndan hayata tutunmaya \u00e7al\u0131\u015fanlar\u0131n \u00f6yk\u00fcs\u00fcn\u00fc anlat\u0131yor\u2026 Edebiyat\u00e7\u0131 Jaklin \u00c7elik\u2019in Ermeni Soyk\u0131r\u0131m\u0131\u2019n\u0131n g\u00f6lgesinde ya\u015fayan birka\u00e7 karakterin hayat hik\u00e2yesini anlatt\u0131\u011f\u0131 \u00d6fkenin \u015eenli\u011fi adl\u0131 roman\u0131, ABD\u2019de yay\u0131n yapan The Armenian Weekly gazetesinde yay\u0131mlanan bir makaleyle ele al\u0131nd\u0131. \u0130leti\u015fim Yay\u0131nevi taraf\u0131ndan 2011 y\u0131l\u0131nda yay\u0131mlanan ve edebiyat \u00e7evrelerinde \u00f6vg\u00fcyle kar\u015f\u0131lanan roman, T\u00fcrk\u00e7e yay\u0131mlanmas\u0131n\u0131n ard\u0131ndan K\u00fcrt\u00e7eye de […]<\/p>\n","protected":false},"author":7,"featured_media":32572,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44,1,54],"tags":[],"class_list":["post-32571","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ermeni-soykirimi","category-haberler","category-kitaplar-elestiriler"],"yoast_head":"\n1915'in g\u00f6lgesinde '\u00d6fkenin \u015eenli\u011fi' - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=32571\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1915'in g\u00f6lgesinde '\u00d6fkenin \u015eenli\u011fi' - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Jaklin \u00c7elik\u2019in roman\u0131, 1915\u2019in ard\u0131ndan hayata tutunmaya \u00e7al\u0131\u015fanlar\u0131n \u00f6yk\u00fcs\u00fcn\u00fc anlat\u0131yor\u2026 Edebiyat\u00e7\u0131 Jaklin \u00c7elik\u2019in Ermeni Soyk\u0131r\u0131m\u0131\u2019n\u0131n g\u00f6lgesinde ya\u015fayan birka\u00e7 karakterin hayat hik\u00e2yesini anlatt\u0131\u011f\u0131 \u00d6fkenin \u015eenli\u011fi adl\u0131 roman\u0131, ABD\u2019de yay\u0131n yapan The Armenian Weekly gazetesinde yay\u0131mlanan bir makaleyle ele al\u0131nd\u0131. \u0130leti\u015fim Yay\u0131nevi taraf\u0131ndan 2011 y\u0131l\u0131nda yay\u0131mlanan ve edebiyat \u00e7evrelerinde \u00f6vg\u00fcyle kar\u015f\u0131lanan roman, T\u00fcrk\u00e7e yay\u0131mlanmas\u0131n\u0131n ard\u0131ndan K\u00fcrt\u00e7eye de […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/akunq.net\/tr\/?p=32571\" \/>\n<meta property=\"og:site_name\" content=\"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"article:published_time\" content=\"2014-12-03T07:47:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2014\/12\/Jaklin-\u00c7elik.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"613\" \/>\n\t<meta property=\"og:image:height\" content=\"313\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"14 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/akunq.net\/tr\/?p=32571\",\"url\":\"https:\/\/akunq.net\/tr\/?p=32571\",\"name\":\"1915'in g\u00f6lgesinde '\u00d6fkenin \u015eenli\u011fi' - 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