{"id":30269,"date":"2014-06-07T02:08:49","date_gmt":"2014-06-07T07:08:49","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=30269"},"modified":"2014-06-07T02:08:49","modified_gmt":"2014-06-07T07:08:49","slug":"ortakoy-camiinin-hatirlattiklari","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=30269","title":{"rendered":"Ortak\u00f6y Camii\u2019nin hat\u0131rlatt\u0131klar\u0131"},"content":{"rendered":"

\"Ortak\u00f6y<\/a>EL\u0130F ATALAY<\/strong><\/p>\n

Ad\u0131 Balyan Ailesi ile birlikte an\u0131lan Ortak\u00f6y Camii uzun bir aradan sonra cemaati ile tekrar bulu\u015fuyor. \u00dcstelik bug\u00fcn\u00fcn hoyrat iklimine iki y\u00fczy\u0131l \u00f6ncesinden nazire edercesine sadece bir ibadethane olarak de\u011fil, Osmanl\u0131 halklar\u0131n\u0131n \u2018birarada\u2019l\u0131\u011f\u0131n\u0131n da v\u00fccut buldu\u011fu bir de\u011fer olarak..<\/i><\/b><\/p>\n

Ad\u0131 Balyan Ailesi ile birlikte an\u0131lan Ortak\u00f6y Camii uzun bir aradan sonra cemaati ile tekrar bulu\u015fuyor. \u00dcstelik bug\u00fcn\u00fcn hoyrat iklimine iki y\u00fczy\u0131l \u00f6ncesinden nazire edercesine sadece bir ibadethane olarak de\u011fil, Osmanl\u0131 halklar\u0131n\u0131n \u2018birarada\u2019l\u0131\u011f\u0131n\u0131n da v\u00fccut buldu\u011fu bir de\u011fer olarak..<\/p>\n

Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nun 19. y\u00fczy\u0131l saray ve cami mimarisine imza atan Balyan Ailesi\u2019nin Bo\u011faz\u2019da y\u00fckselen eserlerinden \u2018B\u00fcy\u00fck Mecidiye\u2019 ya da halk aras\u0131nda bilinen ad\u0131yla Ortak\u00f6y Camii, tamamlanan restorasyonun ard\u0131ndan ibadete a\u00e7\u0131l\u0131yor. Yar\u0131n ibadete a\u00e7\u0131lacak camide ilk namaz k\u0131lanlardan biri de Ba\u015fbakan Recep Tayyip Erdo\u011fan olacak.<\/p>\n

Abd\u00fclmecit taraf\u0131ndan 1853\u2019te Nigo\u011fos Balyan\u2019a in\u015fa ettirilen cami, daha \u00f6nce be\u015f kez restorasyon ge\u00e7irdi. Son restorasyonu ise Kuveyt T\u00fcrk Kat\u0131l\u0131m Bankas\u0131 sponsorlu\u011funda tamamlanan ibadethane, ge\u00e7 Osmanl\u0131 mimarisinin de sembollerinden.<\/p>\n

Neo barok cami<\/h2>\n

Bo\u011fazi\u00e7i\u2019nin de d\u00fcnyaca \u00fcnl\u00fc simgelerinden olan Ortak\u00f6y Camii, Patrona Halil ayaklanmas\u0131 esnas\u0131nda y\u0131k\u0131ld\u0131\u011f\u0131 tahmin edilen 1721\u2019de Mahmut A\u011fa Mescidi\u2019nin yerine in\u015fa edilmi\u015f. Yap\u0131, di\u011fer selatin (Sultanlar\u0131n yapt\u0131rd\u0131\u011f\u0131)camiler gibi Harim ve H\u00fcnk\u00e2r b\u00f6l\u00fcmlerinden olu\u015fuyor. 19. y\u00fczy\u0131l \u0130stanbul mimarisini karakterize eden neo barok tarz\u0131n\u0131n ve bezeme sanat\u0131n\u0131n da belirgin bir \u00f6rne\u011fi olan cami, yine Balyan Ailesi\u2019nin ayn\u0131 d\u00f6nem \u00fcslubunun referanslar\u0131ndan olan geni\u015f ve y\u00fcksek pencereleri ile sa\u011flanan do\u011fal bir ayd\u0131nlanmaya sahip.<\/p>\n

Tek \u015ferefeli iki minaresi bulunan yap\u0131n\u0131n, 1894 \u0130stanbul depreminde hasar alan petek ve k\u00fclah\u0131 yeniden yap\u0131lm\u0131\u015f. Cami, denize kaymas\u0131n\u0131n tespiti ile bu kez 1960’larda kapsaml\u0131 bir onar\u0131m g\u00f6rm\u00fc\u015f ve onar\u0131m s\u00fcrecinde 64 fore kaz\u0131k ve 80 ton beton enjekte edilerek zemin takviyesi yap\u0131lm\u0131\u015f. 1984\u2019te ise bir yang\u0131n sonucunda tekrar hasar alan yap\u0131 bir kez daha onar\u0131m ve restorasyon ge\u00e7irmek zorunda kalm\u0131\u015f.<\/p>\n

Tarihin reddi<\/h2>\n

\u00dc\u00e7 y\u0131l\u0131 bulan bir s\u00fcre sonunda yeniden ibadete a\u00e7\u0131lan Ortak\u00f6y Camii, 19. y\u00fczy\u0131ldan 21.y\u00fczy\u0131la uzanan bir s\u00fcre\u00e7te, \u00e7o\u011fulculu\u011fun, T\u00fcrkiye co\u011frafyas\u0131n\u0131n resmi eylem ve s\u00f6ylemlerinde ula\u015ft\u0131\u011f\u0131 trajik noktay\u0131 i\u015faret etmesi a\u00e7\u0131s\u0131ndan da ayr\u0131 bir \u00f6neme sahip. Zira \u00c7aml\u0131ca Camii yap\u0131m\u0131 tart\u0131\u015fmalar\u0131nda Ba\u015fbakan\u2019\u0131n \u201cCami mimarisinde M\u00fcsl\u00fcman olmayanlar\u0131n o ruhu yakalamas\u0131 zor\u201d \u015feklindeki ifadesi, yorumunda adil olunamad\u0131\u011f\u0131 kadar i\u00e7selle\u015ftirilemeyen bir tarihin de reddinin, iktidar cephesindeki refleksleri.<\/p>\n

Her t\u00fcrl\u00fc ideolojik kayg\u0131n\u0131n d\u0131\u015f\u0131nda de\u011ferlendirildi\u011finde ise, \u0130stanbul\u2019un \u00f6zellikle selatin camilerine izleri sinmi\u015f olan gayrim\u00fcslim mimar, usta, kalfa ve zanaatkarlar\u0131n \u2018o ruhu\u2019 nas\u0131l yakalad\u0131\u011f\u0131n\u0131 bug\u00fcn Ortak\u00f6y Camii\u2019ne atfedilen maddi ve manevi \u00f6nemden anlayabilmek tabii ki m\u00fcmk\u00fcn.<\/p>\n

Bu y\u00fczden \u0130slami ifadesi \u2018birle\u015ftiren, bir araya getiren, istedi\u011fini, istedi\u011fi yerde toplayan\u2019 olan \u2018cami\u2019 kelimesinin kar\u015f\u0131l\u0131k buldu\u011fu Osmanl\u0131 toplum yap\u0131s\u0131n\u0131n, Ba\u015fbakan\u2019\u0131n ifadesi ile M\u00fcsl\u00fcman olmayan ruhlar\u0131n\u0131 da bu vesile ile tekrar yad etmenin belki tam zaman\u0131\u2026<\/p>\n

\n
\n<\/div>\n

Balyan ailesi ve Nigo\u011fos Balyan<\/h2>\n

\u00d6zellikle \u0130stanbul Bo\u011faz\u0131 boyunca s\u0131ralanan eserleri ile tan\u0131nan ve birka\u00e7 ku\u015fak boyunca kalfa-i h\u00fcmayun olarak saraya hizmet veren Balyan ailesi \u00fcyeleri, Bat\u0131l\u0131la\u015fma hareketleri ile birlikte klasik Osmanl\u0131 \u00fcslubunun yerel ve geleneksel referanslar\u0131n\u0131 terk etmeden \u2018Neo Osmanl\u0131\u2019 ak\u0131m\u0131n\u0131n \u00f6nc\u00fcleri olarak tan\u0131n\u0131yor. Bu tan\u0131mlamada ailenin Paris\u2019te mimari e\u011fitimi alm\u0131\u015f olan \u00fc\u00e7\u00fcnc\u00fc ku\u015fak \u00fcyelerin etkisi \u015f\u00fcphesiz b\u00fcy\u00fck.<\/p>\n

Ailede ilk ku\u015fak olan Krikor Amira Balyan, III. Selim d\u00f6neminde ba\u015flad\u0131\u011f\u0131 kariyerini II. Mahmut d\u00f6nemimdeki eserleri ile de s\u00fcrd\u00fcrm\u00fc\u015f. Krikor Kalfa\u2019n\u0131n \u0130stanbul\u2019a b\u0131rakt\u0131\u011f\u0131 ba\u015fl\u0131ca eserleri; (eski) Beylerbeyi Saray\u0131, Defterdar Saray\u0131, Valide Sultan Saray\u0131 (Kasr-\u0131 Cedid), Aynal\u0131kavak Kasr\u0131, Nusretiye Cami, Selimiye K\u0131\u015flas\u0131, Davutpa\u015fa K\u0131\u015flas\u0131, Darphane-i Amire, Bah\u00e7ek\u00f6y\u2019deki Valide ve Topuzlu Bentleri\u2026<\/p>\n

Kirkor Balyan\u2019\u0131n o\u011flu Garabed Amira Balyan\u2019\u0131n ise\u00a0 ilk \u00e7al\u0131\u015fmas\u0131 II. Mahmud\u2019un ferman\u0131 ile in\u015fas\u0131na ba\u015flanan Yedikule Surp P\u0131rgi\u00e7 Ermeni Hastanesi. Abd\u00fclmecid ve Abd\u00fclaziz d\u00f6nemlerinde de yap\u0131tlar\u0131 y\u00fckselen Garabed Kalfa\u2019n\u0131n en bilinen eseri ise Dolmabah\u00e7e Saray\u0131 ve Camii. Cemile ve M\u00fcnire Sultan Saraylar\u0131 (bug\u00fcn Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi), Kuleli S\u00fcvari K\u0131\u015flas\u0131, Beykoz Deri Fabrikas\u0131, Hereke Fabrikas\u0131, Bah\u00e7ek\u00f6y Kirazl\u0131 ve II. Mahmud (Bend-i Cedid) bendleri, Derkos (Terkos) Tesisleri ilk akla gelen eserlerinden.<\/p>\n

Balyan ailesinin 3.ku\u015fa\u011f\u0131 ise Sarkis ve Nigo\u011fos karde\u015fler. Sarkis Balyan, babas\u0131n\u0131n \u00f6l\u00fcm\u00fc ard\u0131ndan Balyan b\u00fcrosunun ba\u015f\u0131na ge\u00e7en isim. Ser Mimar-\u0131 Devlet \u00fcnvan\u0131na sahip Sarkis Bey, bir\u00e7o\u011fu h\u00e2l\u00e2 ayakta olan eserleri ile an\u0131l\u0131yor. Yine ilk akla gelenler; \u00c7\u0131ra\u011fan Saray\u0131, Beylerbeyi Saray\u0131, Y\u0131ld\u0131z Saray\u0131, Sadabad Cami, Aksaray Valide Cami, Akaretler S\u0131ra Evleri ve bug\u00fcn \u0130stanbul \u00dcniversitesi\u2019ne ev sahipli\u011fi yapan Harbiye Nezareti\u2026<\/p>\n

\u0130smi s\u0131kl\u0131kla Ortak\u00f6y Camii ile hat\u0131rlanan Nigo\u011fos Balyan ise ailenin Bat\u0131 e\u011fitimi alm\u0131\u015f \u00fcyesi olarak biliniyor. Ancak mimaride toptan bir Bat\u0131l\u0131la\u015fmaya raz\u0131 olmayan Nigo\u011fos Balyan, \u00fcslubunda yerel unsurlardan \u00f6d\u00fcn vermeyen bir kimli\u011fe sahip. Dolmabah\u00e7e Saray\u0131 ve Camii, Y\u0131ld\u0131z Saray\u0131 gibi eserlerin yap\u0131m\u0131nda baba Garabed Kalfa ile birlikte yer al\u0131yor. Ihlamur Kasr\u0131, Adile Sultan Saray\u0131 ve K\u00fc\u00e7\u00fcksu Kasr\u0131 da Nigo\u011fas Balyan\u2019\u0131n imzas\u0131n\u0131 ta\u015f\u0131yan yap\u0131lar.<\/p>\n

elifatalayposta@gmail.com<\/i><\/strong><\/p>\n

http:\/\/www.agos.com.tr\/ortakoy-camiinin-hatirlattiklari-7363.html<\/i><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

EL\u0130F ATALAY Ad\u0131 Balyan Ailesi ile birlikte an\u0131lan Ortak\u00f6y Camii uzun bir aradan sonra cemaati ile tekrar bulu\u015fuyor. \u00dcstelik bug\u00fcn\u00fcn hoyrat iklimine iki y\u00fczy\u0131l \u00f6ncesinden nazire edercesine sadece bir ibadethane olarak de\u011fil, Osmanl\u0131 halklar\u0131n\u0131n \u2018birarada\u2019l\u0131\u011f\u0131n\u0131n da v\u00fccut buldu\u011fu bir de\u011fer olarak.. Ad\u0131 Balyan Ailesi ile birlikte an\u0131lan Ortak\u00f6y Camii uzun bir aradan sonra cemaati ile […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,34],"tags":[],"class_list":["post-30269","post","type-post","status-publish","format-standard","hentry","category-haberler","category-istanbul"],"yoast_head":"\nOrtak\u00f6y Camii\u2019nin hat\u0131rlatt\u0131klar\u0131 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=30269\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ortak\u00f6y Camii\u2019nin hat\u0131rlatt\u0131klar\u0131 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"EL\u0130F ATALAY Ad\u0131 Balyan Ailesi ile birlikte an\u0131lan Ortak\u00f6y Camii uzun bir aradan sonra cemaati ile tekrar bulu\u015fuyor. \u00dcstelik bug\u00fcn\u00fcn hoyrat iklimine iki y\u00fczy\u0131l \u00f6ncesinden nazire edercesine sadece bir ibadethane olarak de\u011fil, Osmanl\u0131 halklar\u0131n\u0131n \u2018birarada\u2019l\u0131\u011f\u0131n\u0131n da v\u00fccut buldu\u011fu bir de\u011fer olarak.. 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