{"id":28973,"date":"2014-03-20T05:08:05","date_gmt":"2014-03-20T10:08:05","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=28973"},"modified":"2014-03-20T05:08:05","modified_gmt":"2014-03-20T10:08:05","slug":"batililasan-istanbulun-ermeni-mimarlari","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=28973","title":{"rendered":"Bat\u0131l\u0131la\u015fan \u0130stanbul\u2019un Ermeni Mimarlar\u0131"},"content":{"rendered":"

\"\u054d\u057f\u0561\u0574\u0562\u0578\u0582\u056c\u056b<\/a>Bug\u00fcn \u015fehircilikle ilgili cebelle\u015fti\u011fimiz sorular\u0131n \u0131\u015f\u0131\u011f\u0131ndan 19. y\u00fczy\u0131lda de\u011fi\u015fen \u0130stanbul’a ve mimarlar\u0131na bakmak kafa a\u00e7\u0131c\u0131. \u00a0<\/i><\/b><\/p>\n

Son birka\u00e7 senedir \u0130stanbul\u2019un de\u011fi\u015fimini, yeni binalar\u0131, restorasyon \u00e7al\u0131\u015fmalar\u0131n\u0131 ve restorasyon ad\u0131 alt\u0131nda yap\u0131lmaya \u00e7al\u0131\u015f\u0131lan ihya projelerini izliyoruz. Bunlar\u0131n bir k\u0131sm\u0131 haber olmay\u0131 ba\u015farm\u0131\u015f, biri \u00fclke \u00e7ap\u0131nda isyana ve insanlar\u0131n \u00f6l\u00fcm\u00fcne<\/a> sebep olmu\u015f projeler; bir s\u00fcr\u00fcs\u00fc de haberimiz dahi olmayan ancak mahallelerin \u00e7ehresini geri d\u00f6n\u00fclemez \u015fekilde de\u011fi\u015ftiren yap\u0131lar. Mimarl\u0131k hayatlar\u0131m\u0131z\u0131 en ince ayr\u0131nt\u0131s\u0131na kadar de\u015fiyor, \u015fekillendiriyor. Nas\u0131l y\u00fcr\u00fcyece\u011fimizi, nereye ne kadar bakaca\u011f\u0131m\u0131z\u0131, neyi hat\u0131rlayaca\u011f\u0131m\u0131z\u0131 belirliyor. Hani A\u011fao\u011flu kendine \u2018ya\u015fam mimar\u0131\u2019 diyor ya, yalan de\u011fil\u2026<\/p>\n

Peki, \u0130stanbul\u2019u \u0130stanbul yapan nedir? Ve \u00e7ok de\u011fil, 20 sene sonra bu soruya verdi\u011fimiz cevap ne kadar de\u011fi\u015fecek? Hayatlar\u0131m\u0131z, hareket alanlar\u0131m\u0131z nas\u0131l \u015fekillenecek? Bir s\u00fcredir, merakla, endi\u015fe ve korkuyla kafam\u0131zda canland\u0131rmaya \u00e7al\u0131\u015f\u0131yoruz. Cem Dinlenmi\u015f\u2019in bir \u00f6ng\u00f6r\u00fcs\u00fc vard\u0131 mesela: \u2018XXI. y\u00fczy\u0131l T\u00fcrk Eserleri\u2019.<\/p>\n

Hat\u0131rlar m\u0131s\u0131n\u0131z 2007 senesinde sanal alemde Mimarl\u0131k M\u00fczesi a\u00e7\u0131lm\u0131\u015ft\u0131? Bu m\u00fczenin amac\u0131 T\u00fcrk ve d\u00fcnya mimarl\u0131k miras\u0131n\u0131 olu\u015fturan, ula\u015f\u0131labilir her t\u00fcrl\u00fc belge ve tan\u0131kl\u0131\u011f\u0131n derlenmesi, sunulmas\u0131, nice ara\u015ft\u0131rmalara envanter olu\u015fturmas\u0131 idi. Dijital teknolojinin sundu\u011fu olanaklardan yararlanan \u015fahane projelerden\u2026<\/p>\n

Mimarl\u0131k M\u00fczesi\u2019nin 2 ayda 1 de\u011fi\u015fen sanal sergilerinden sonuncusu Bat\u0131l\u0131la\u015fan \u0130stanbul\u2019un Ermeni Mimarlar\u0131<\/em> \u00f6zellikle 19. y\u00fczy\u0131l \u0130stanbul\u2019una odaklan\u0131yor.\u00a0\u0130stanbul\u2019u d\u00f6n\u00fc\u015ft\u00fcrmek, yeniye ayak uydurmak, ahenk kayg\u0131s\u0131, tarihe tutunmak ve t\u00fcm bunlar\u0131 yaparken \u015fehri katletmemek nas\u0131l bir i\u015f? Bu s\u00fcre\u00e7 nas\u0131l olmal\u0131? Bunlara kafa patlat\u0131yoruz ya ne zamand\u0131r. \u00dcstelik bat\u0131l\u0131la\u015fma derdimizden bir gram eksilmedi, bilakis \u015fimdi bat\u0131la\u015fma tarihimizin de y\u00fck\u00fcyle daha sanc\u0131l\u0131, bo\u011fucu bir hal ald\u0131. \u0130\u015fte bu sorularla cebelle\u015firken bir ad\u0131m geriye atmak, \u0130stanbul\u2019un \u00e7ehresinin de\u011fi\u015fti\u011fi bir ba\u015fka d\u00f6neme bakmak olduk\u00e7a ilgin\u00e7. Sergi 19. y\u00fczy\u0131l a\u011f\u0131rl\u0131kl\u0131 olmak \u00fczere \u0130stanbul\u2019a mimari eserleriyle katk\u0131da bulunan Ermeni mimarlar\u0131n i\u015flerine odaklan\u0131yor. O kadar \u00e7e\u015fitli i\u015fler ki bunlar; Dolmabah\u00e7e Saray\u0131\u2019ndan S\u00fcreyya Sinemas\u0131\u2019na, Belgrad Orman\u0131\u2019n\u0131n i\u00e7indeki Valide Bendi\u2019nden II. Mahmud\u2019un T\u00fcrbesine, Akaretlerde\u2019ki s\u0131ra evlerden, Ermeni Patrikhanesi\u2019ne t\u00fcrl\u00fc t\u00fcrl\u00fc yap\u0131lar var.<\/p>\n

\u00a0Kendi d\u00f6nemlerinde bu mimarlar\u0131n g\u00f6z\u00fcnden \u0130stanbul\u2019u d\u00fc\u015f\u00fcnmek, \u00f6l\u00e7mek bi\u00e7mek, in\u015fa etmek nas\u0131l bir \u015feydi? \u00d6zellikle Tanzimat ve Cumhuriyet d\u00f6nemlerinin getirdi\u011fi yeniliklerin i\u00e7erisinden de\u011fi\u015fim nas\u0131l alg\u0131lan\u0131yordu ve gelece\u011fe nas\u0131l bir \u0130stanbul b\u0131rakacaklard\u0131? Ne t\u00fcr kayg\u0131lar\u0131 vard\u0131? Bug\u00fcn Ermeni bir mimar\u0131n cami yapt\u0131\u011f\u0131n\u0131 veya t\u00fcrbe yapt\u0131\u011f\u0131n\u0131 hayal etmeyi b\u0131rak\u0131n, \u015fehrin ortas\u0131na burada g\u00f6rd\u00fc\u011f\u00fcm\u00fcz t\u00fcrden iddial\u0131 i\u015fler yapabileceklerini akl\u0131n\u0131z al\u0131yor mu? Bu son iki sorunun cevaplar\u0131 di\u011fer sorularla g\u00f6bekten ba\u011fl\u0131 asl\u0131nda.<\/p>\n

K\u00fcrat\u00f6r\u00fc Hasan Kuruyaz\u0131c\u0131\u2019n\u0131n kaleminden serginin arka plan\u0131na dair birka\u00e7 s\u00f6z\u00fc burada payla\u015fal\u0131m:<\/p>\n

Osmanl\u0131 Devleti\u2019nde saray ve kamu binalar\u0131n\u0131n in\u015faat\u0131n\u0131 y\u00f6netmekle g\u00f6revli Hassa Mimarlar\u0131 Oca\u011f\u0131\u2019n\u0131n kadrosunda gayrim\u00fcslim mimarlar da bulunurdu. Bunlar aras\u0131nda her d\u00f6nemde Ermeni mimarlar\u0131n yer ald\u0131\u011f\u0131 biliniyor. Oca\u011fa k\u00fc\u00e7\u00fck ya\u015fta al\u0131nan gen\u00e7ler usta-\u00e7\u0131rak ili\u015fkisi i\u00e7inde yeti\u015firdi. Yani Hassa Mimarlar\u0131 Oca\u011f\u0131 bir \u00e7e\u015fit mimarl\u0131k okulu gibi \u00e7al\u0131\u015f\u0131rd\u0131.<\/em><\/p>\n

K\u00f6kleri 18. y\u00fczy\u0131la uzansa da, Osmanl\u0131 Devleti\u2019nin hemen her konuda bilin\u00e7li ve kararl\u0131 bir bi\u00e7imde Bat\u0131\u2019ya y\u00f6nelmesi, 19. y\u00fczy\u0131lda, Tanzimat (1839) ve Islahat (1856) fermanlar\u0131n\u0131n ilan\u0131yla oldu. Bat\u0131\u2019dan gelen de\u011fi\u015fiklik r\u00fczg\u00e2r\u0131 her alan\u0131 oldu\u011fu gibi mimarl\u0131\u011f\u0131 da etkiledi. Y\u00f6netim, hukuk, e\u011fitim, sa\u011fl\u0131k, toplumsal ya\u015fam gibi alanlardaki yenilikler, okul, hastane, postane, istasyon, apartman, i\u015f han\u0131 gibi yeni bina t\u00fcrlerinin ortaya \u00e7\u0131kmas\u0131na yol a\u00e7t\u0131. Osmanl\u0131 mimarisinin yabanc\u0131s\u0131 oldu\u011fu bu binalarla, \u015fehrin en az\u0131ndan bir b\u00f6l\u00fcm\u00fcn\u00fcn, fiziksel g\u00f6r\u00fcn\u00fcm\u00fc ciddi anlamda de\u011fi\u015fmeye ba\u015flad\u0131.<\/em><\/p>\n

Bu arada, daha 1831\u2019de, Hassa Mimarlar\u0131 Oca\u011f\u0131 kapat\u0131larak yerine devlet binalar\u0131n\u0131n yap\u0131m\u0131n\u0131 y\u00fcr\u00fctmek \u00fczere Ebniye-i Hassa M\u00fcd\u00fcriyeti kurulmu\u015ftu. Ama bu m\u00fcd\u00fcriyetin g\u00f6revleri aras\u0131nda mimar yeti\u015ftirmek yoktu. B\u00f6ylece 1883\u2019te bug\u00fcnk\u00fc Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi\u2019nin \u00e7ekirde\u011fini olu\u015fturan Sanayi-i Nefise Mekteb-i \u00c2lisi\u2019nin e\u011fitime ba\u015flamas\u0131na kadar, \u00fclkede \u00f6rg\u00fcn bir mimarl\u0131k e\u011fitimi olmad\u0131.<\/em><\/p>\n

Yeni tarz binalar\u0131n bir b\u00f6l\u00fcm\u00fc, kendi \u00fclkelerinin sefarethanelerini in\u015fa etmeye gelen ve daha sonra \u0130stanbul\u2019da kalarak ba\u015fka i\u015fler de alan yabanc\u0131 (Avrupal\u0131) mimarlar taraf\u0131ndan yap\u0131ld\u0131. Balyan ailesi mimarlar\u0131, zaten daha ba\u015ftan beri saray\u0131n in\u015faatlar\u0131n\u0131 ger\u00e7ekle\u015ftiriyordu. Y\u00fczy\u0131l\u0131n ilk yar\u0131s\u0131ndan itibaren \u0130stanbul\u2019da padi\u015fahlar\u0131n yapt\u0131rd\u0131\u011f\u0131 b\u00fcy\u00fck camilerin hemen hepsi onlar\u0131n eseriydi. Giderek Levanten, Rum ve ba\u015fka Ermeni mimarlar da kendi cemaatlerine ait kamusal ve \u00f6zel binalar in\u015fa etmeye ba\u015flad\u0131. Bunlar ya piyasadan yeti\u015fiyor, ya da Avrupa \u00fclkelerindeki mimarl\u0131k okullar\u0131n\u0131 bitiriyordu.\u00a0<\/em>
\nM\u00fcsl\u00fcman Osmanl\u0131 kesiminde ise mimarl\u0131k art\u0131k \u201ctutulan\u201d bir meslek olmaktan \u00e7\u0131km\u0131\u015f g\u00f6r\u00fcn\u00fcyordu. Sanayi-i Nefise Mektebi a\u00e7\u0131ld\u0131ktan sonra da, Mimarl\u0131k \u015eubesi \u00f6\u011frencilerinin \u00e7o\u011funu, uzun s\u00fcre Rum ve Ermeni gen\u00e7leri olu\u015fturdu. Osmanl\u0131 Modernle\u015fmesi diye an\u0131lan ve b\u00fct\u00fcn 19. y\u00fczy\u0131la yay\u0131lan Bat\u0131l\u0131la\u015fma s\u00fcrecinde, ba\u015fta Balyanlar olmak \u00fczere Ermeni mimarlar \u0130stanbul\u2019un fiziksel \u00e7ehresinin de\u011fi\u015fmesinde \u00e7ok b\u00fcy\u00fck rol oynad\u0131.<\/em><\/p>\n

\u0130stanbul gibi bir \u015fehri yeni trend<\/em> ve mimari kayg\u0131lara g\u00f6re \u015fekillendirmek ama bunu yaparken \u015fehrin dokusunu bozmamak nas\u0131l bir i\u015f diye d\u00fc\u015f\u00fcn\u00fcrken bu foto\u011fraflara ve binalara bug\u00fcnk\u00fc pozisyonumuzdan bakmak bana iyi bir kafa egzersizi gibi geldi.<\/p>\n

Sergi i\u00e7in buraya<\/a>, Mimarl\u0131k M\u00fczesi i\u00e7inse \u015furaya<\/a>.<\/p>\n

http:\/\/www.5harfliler.com\/batililasan-istanbulun-ermeni-mimarlari\/<\/i><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Bug\u00fcn \u015fehircilikle ilgili cebelle\u015fti\u011fimiz sorular\u0131n \u0131\u015f\u0131\u011f\u0131ndan 19. y\u00fczy\u0131lda de\u011fi\u015fen \u0130stanbul’a ve mimarlar\u0131na bakmak kafa a\u00e7\u0131c\u0131. \u00a0 Son birka\u00e7 senedir \u0130stanbul\u2019un de\u011fi\u015fimini, yeni binalar\u0131, restorasyon \u00e7al\u0131\u015fmalar\u0131n\u0131 ve restorasyon ad\u0131 alt\u0131nda yap\u0131lmaya \u00e7al\u0131\u015f\u0131lan ihya projelerini izliyoruz. Bunlar\u0131n bir k\u0131sm\u0131 haber olmay\u0131 ba\u015farm\u0131\u015f, biri \u00fclke \u00e7ap\u0131nda isyana ve insanlar\u0131n \u00f6l\u00fcm\u00fcne sebep olmu\u015f projeler; bir s\u00fcr\u00fcs\u00fc de haberimiz dahi […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,34],"tags":[],"class_list":["post-28973","post","type-post","status-publish","format-standard","hentry","category-haberler","category-istanbul"],"yoast_head":"\nBat\u0131l\u0131la\u015fan \u0130stanbul\u2019un Ermeni Mimarlar\u0131 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=28973\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bat\u0131l\u0131la\u015fan \u0130stanbul\u2019un Ermeni Mimarlar\u0131 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Bug\u00fcn \u015fehircilikle ilgili cebelle\u015fti\u011fimiz sorular\u0131n \u0131\u015f\u0131\u011f\u0131ndan 19. y\u00fczy\u0131lda de\u011fi\u015fen \u0130stanbul’a ve mimarlar\u0131na bakmak kafa a\u00e7\u0131c\u0131. \u00a0 Son birka\u00e7 senedir \u0130stanbul\u2019un de\u011fi\u015fimini, yeni binalar\u0131, restorasyon \u00e7al\u0131\u015fmalar\u0131n\u0131 ve restorasyon ad\u0131 alt\u0131nda yap\u0131lmaya \u00e7al\u0131\u015f\u0131lan ihya projelerini izliyoruz. 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