{"id":11499,"date":"2012-01-21T05:30:26","date_gmt":"2012-01-21T10:30:26","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=11499"},"modified":"2012-01-21T05:30:26","modified_gmt":"2012-01-21T10:30:26","slug":"marmaranin-70-yili-muhtesem-bir-muzik-eserinin-premieri-ile-birlikte-kutlandi","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=11499","title":{"rendered":"Marmara’n\u0131n 70. Y\u0131l\u0131 Muhte\u015fem Bir M\u00fczik Eserinin Premier’i \u0130le Birlikte Kutland\u0131"},"content":{"rendered":"

\"\"<\/a>Majak To\u015fikyan’\u0131n Oratoryo’su Son 30 Y\u0131l\u0131n Ba\u015fyap\u0131t\u0131 Oldu – Ba\u015fyazar\u0131m\u0131z Marmara’n\u0131n J\u00fcbilesinin B\u00f6ylesine Muhte\u015fem Bir Eserin \u0130lk Dinletisine Vesile Olmas\u0131ndan Gurur Duydu\u011funu S\u00f6yledi. Cuma g\u00fcn\u00fc Ferik\u00f6y Nazar \u015eirino\u011flu salonunda tertiplenen gazetemizin 70. Kurulu\u015f Y\u0131\u0131l J\u00fcbile Etkinli\u011finin ilk aya\u011f\u0131n\u0131n ard\u0131ndan Pazar ak\u015fam\u0131 da ikinci b\u00f6l\u00fcm\u00fc Cevahir Otelinin kongre salonunda muhte\u015fem bir gece ile ger\u00e7ekle\u015fti.<\/em><\/strong><\/p>\n

Majak To\u015fikyan’\u0131n gazetemizin yazarlar\u0131ndan Dr. \u0130kna Sar\u0131aslan’\u0131n “\u00c7a\u011fdan \u00c7a\u011fa Akhtamar” adl\u0131 uzun nefesli \u015fiirinden esinlenerek yazm\u0131\u015f oldu\u011fu oratoryonun gazetemizin j\u00fcbilesi \u00e7er\u00e7evesinde ilk dinletisi sunuldu.\u00a0 Pazar gecesi tertiplenen bu etkinlik, finalde Ba\u015fyazar\u0131m\u0131z\u0131n da belirtece\u011fi gibi,\u00a0 cemaatimizin ya\u015fam\u0131nda, en az\u0131ndan son 30 y\u0131l boyunca, e\u015fine rastlayamayaca\u011f\u0131m\u0131z bir sanat olay\u0131 oldu. Oratoryo \u00f6zellikle \u00fc\u00e7 g\u00fc\u00e7l\u00fc solistin de yetene\u011fiyle birle\u015fen senfonik ve koral m\u00fczi\u011fin bir ba\u015fyap\u0131t\u0131yd\u0131.<\/p>\n

Etkinli\u011fe Patrikhane Genel Vekili Ba\u015fepiskopos Aram Ate\u015fyan riyaset etti, kendisine Episkopos Sahak Ma\u015falyan, Ba\u015frahip Zakeos Ohanyan, Pederler, KE\u0130 Ermenistan Daimi Temsilcisi Mikael Vartanyan ve yard\u0131mc\u0131s\u0131 Vazken Hublaryan, \u015ei\u015fli Belediye Ba\u015fkan\u0131 Mustafa Sar\u0131g\u00fcl, Ba\u015fkan Yard\u0131mc\u0131s\u0131 Vazken Ba-r\u0131n, Ortak\u00f6y Y\u00f6netim Kurulu Ba\u015fkan\u0131 \u0130skender \u015eahing\u00f6z e\u015flik etti.<\/p>\n

Etkinli\u011fi gen\u00e7 neslin de\u011ferli temsilcilerinden Ani Delimelkono\u011flu b\u00fc-y\u00fck bir ba\u015far\u0131 ile y\u00f6netti. Ermenice ve T\u00fcrk\u00e7e yapt\u0131\u011f\u0131 kusursuz ve aksans\u0131z sunumuyla m\u00fckemmel not alan Ani Delimelkono\u011flu gecenin ba\u015far\u0131s\u0131nda inkar edilmez bir pay sahibi oldu.<\/p>\n

A\u00e7\u0131l\u0131\u015f\u0131 konu\u015fmas\u0131n\u0131 yapan Ani Delimelkono\u011flu Marmara\u2019n\u0131n ge\u00e7mi\u015fte b\u0131rakt\u0131\u011f\u0131 70 y\u0131la de\u011findi, misyonundan s\u00f6z etti, gecenin program\u0131 hakk\u0131nda bilgi verdi ve sonra s\u00f6z\u00fc Ba\u015fyazar yard\u0131mc\u0131m\u0131z Makruhi B. Hagopyan’a verdi. Makruhi B. Hagopyan yapt\u0131\u011f\u0131 konu\u015fmada Marmara gazetesinin kurucusu Suren \u015eaml\u0131yan’dan ba\u015flayarak, onu izleyen Bedros Zobyan’a ve R. Haddeciyan’a sayg\u0131 ve minnet duygular\u0131n\u0131 dile getirdi. Ayr\u0131ca 70 y\u0131l boyunca gerek kurucu, gerek ba\u015fyazar, gerek yazar olarak bu gazeteye eme\u011fi ge\u00e7mi\u015f herkesi de sayg\u0131yla and\u0131.<\/p>\n

\u0130kinci konu\u015fmay\u0131 ise gazetemizin yazarlar\u0131ndan \u015fair \u0130kna Sar\u0131aslan yapt\u0131. Konu\u015fmas\u0131nda Marmara Gazetesinin Ermeni bas\u0131n d\u00fcnyas\u0131ndaki yeri ve rol\u00fc \u00fczerinde duran Sar\u0131aslan, Ermeni bas\u0131n tarihi \u00fczerinde k\u0131saca de\u011findikten sonra \u015fairane bir \u00fcslupla Marmara gazetesinin kimli\u011fi, misyonu ve Ermeni d\u00fcnyas\u0131ndaki \u00fcn\u00fc \u00fczerinde durdu.<\/p>\n

Bu konu\u015fman\u0131n ard\u0131ndan Ani Delimelkono\u011flu kusursuz bir yorumla \u0130kna Sar\u0131aslan’\u0131n “\u00c7a\u011fdan \u00c7a\u011fa Akhtamar” eserinden se\u00e7ilmi\u015f d\u00f6rtl\u00fckler sundu. Ard\u0131ndan az sonra sahne alacak sanat\u00e7\u0131lar\u0131 tan\u0131tt\u0131 ve sahneyi Hagop Mamigonyan y\u00f6netiminde Lusavori\u00e7 Korosuna, senfonik ve pop orkestralar\u0131na ve \u00fc\u00e7 soliste b\u0131rakt\u0131.<\/p>\n

GER\u00c7EK B\u0130R M\u00dcZ\u0130K \u015e\u00d6LEN\u0130; G\u00d6RKEML\u0130 B\u0130R SUNUM<\/strong><\/p>\n

“\u00c7a\u011fdan \u00c7a\u011fa Akhtamar” oratoryosu orkestradan, solistlerden ve korodan uyum i\u00e7inde gelen daha ilk bir ka\u00e7 notas\u0131n\u0131n bomba gibi patlamas\u0131yla salonu yerinden oynatt\u0131. Daha birinci dakika dolmadan ola\u011fan\u00fcst\u00fc bir duruma, inan\u0131lmaz bir m\u00fczik olay\u0131na \u015fahit olaca\u011f\u0131n\u0131 b\u00fct\u00fcn salon anlam\u0131\u015ft\u0131. Ger\u00e7ekten de \u00f6yle oldu. Oratoryonun birbirini izleyen b\u00f6l\u00fcmleriyle \u00e7e\u015fitli ruh hallerinin farkl\u0131 ifadeleriyle, seslerin, \u015fark\u0131lar\u0131n ve danslar\u0131n uyumlu birlikteli\u011fi i\u00e7inde Akhtamar efsanesi sahnelendi ve “\u00c7a\u011fdan \u00c7a\u011fa” ayakta kalmay\u0131 ba\u015faran Akhtamar S. Ha\u00e7 Kilisesine yeni bir selam g\u00f6nderildi. Yakla\u015f\u0131k iki y\u0131l \u00f6nce binas\u0131 onar\u0131lan Akhtamar S. Ha\u00e7 Kilisesi’nin bu oratoryo ile de ruhunun onar\u0131ld\u0131\u011f\u0131n\u0131, hayata d\u00f6nd\u00fc\u011f\u00fcn\u00fc s\u00f6ylersek abartm\u0131\u015f olmay\u0131z.<\/p>\n

Her \u015feyden \u00f6nce senfonik orkestran\u0131n hakk\u0131n\u0131 verelim, diyecek s\u00f6z\u00fcm\u00fcz yok, tek kelimeyle harikayd\u0131lar. Yakla\u015f\u0131k elli ki\u015filik orkestra muhte\u015fem bir performans sergiledi. Orkestra i\u00e7in eserin temelini ve temas\u0131n\u0131 olu\u015fturan harika partisyonu yazan Majak To\u015fikyan’\u0131n m\u00fczik dehas\u0131 dinleyicilere ula\u015fan ilk notalardan itibaren kendini belli etti.<\/p>\n

Oratoryo k\u0131sa “es”lerle birbirini izleyen on b\u00f6l\u00fcmden olu\u015fuyordu. Giri\u015f b\u00f6l\u00fcm\u00fc, onu izleyen sekiz b\u00f6l\u00fcm ve nihayet final b\u00f6l\u00fcm\u00fc. Oratoryonun her bir b\u00f6l\u00fcm\u00fc bazen klasik bazen \u00e7a\u011fda\u015f m\u00fczikten esinlenen ve farkl\u0131 bir ortam\u0131 betimleyen bir uyum, enfes bir t\u0131n\u0131 getiriyordu. T\u00fcm oratoryo boyunca giri\u015f b\u00f6l\u00fcm\u00fcndeki o harika nakarat b\u00f6l\u00fcm\u00fc belirli aral\u0131klarla salonda adeta yine bir bomba gibi patl\u0131yor, dinleyenleri tekrar tekrar sars\u0131yordu. Orkestra, koro ve solistler aras\u0131ndaki uyum nefesleri kesiyordu. Eser sadece Akhtamar adas\u0131na kadar uzanan bir co\u011frafyan\u0131n melodilerini de\u011fil Ermeni folk m\u00fczi\u011finin tamam\u0131ndan kopup gelen nota ve t\u0131n\u0131lar\u0131 ta\u015f\u0131yor, koro operan\u0131n \u00fc\u00e7 \u00fcnl\u00fc ismi, \u00fc\u00e7 \u00e7ok g\u00fc\u00e7l\u00fc sanat\u00e7\u0131 soprano Aylin Ate\u015f’le, tenor Dikran Karag\u00f6zyan’la ve bariton Kevork Tavityan’la ola\u011fan\u00fcst\u00fc bir uyum sa\u011fl\u0131yordu. Bu \u00fc\u00e7 ismin eserin bu denli ba\u015far\u0131yla sunulmas\u0131ndaki b\u00fcy\u00fck pay\u0131n\u0131 burada teslim edelim. Kolay seslendirilecek b\u00f6l\u00fcmler olmamas\u0131na ra\u011fmen her \u00fc\u00e7 sanat\u00e7\u0131 da ba\u015ftan sona kendi b\u00f6l\u00fcmlerini g\u00f6r\u00fclmemi\u015f bir ustal\u0131kla, kusursuz seslendirdiler. Majak To\u015fikyan sadece g\u00fczel t\u0131n\u0131lar ve etkileyici ritimler se\u00e7mekle kalmam\u0131\u015f, bu i\u015f i\u00e7in en iyi solistleri se\u00e7meyi de ba\u015farm\u0131\u015ft\u0131.<\/p>\n

Hem orkestray\u0131, hem koroyu y\u00f6neten de\u011ferli Maestro Hagop Mamigonyan’\u0131n i\u015fi hi\u00e7 kolay de\u011fildi. Fakat onun usta y\u00f6netiminde her \u015fey \u015fa\u015f\u0131rt\u0131c\u0131 bir m\u00fckemmellikte y\u00fcr\u00fcyordu. Bu m\u00fczik \u015f\u00f6lenine Hagop G\u00fcle\u00e7’in dans grubunun danslar\u0131 yeni bir renk, yeni bir p\u0131r\u0131lt\u0131 ve anlam kat\u0131yordu. Grup konuyla uyum i\u00e7inde Akhtamar efsanesinden, Van G\u00f6l\u00fcn\u00fcn mavi sular\u0131ndan sembolik g\u00f6r\u00fcnt\u00fcler aras\u0131nda birbirine kavu\u015fmaya \u00e7al\u0131\u015fan iki sevgiliyi canland\u0131rd\u0131.<\/p>\n

Bu muhte\u015fem oratoryo final b\u00f6l\u00fcm\u00fcyle sona ererken salonu dolduran kalabal\u0131k m\u00fczikseverler hayranl\u0131k ve be\u011fenisini nas\u0131l ifade edece\u011fini \u015fa\u015f\u0131rm\u0131\u015ft\u0131. Dinmek bilmeyen alk\u0131\u015flar aras\u0131nda final b\u00f6l\u00fcm\u00fc tekrarland\u0131. Bu oratoryo dev bir m\u00fczik eseri olarak, Ermeni senfonik ve koral m\u00fczi\u011fini zenginle\u015ftiren yeni bir eser olarak tarihe ge\u00e7ti. Ba\u015fyazar\u0131m\u0131z\u0131n konu\u015fmas\u0131nda az sonra s\u00f6z\u00fcn\u00fc edece\u011fi gibi s\u00fcratle bir ka\u00e7 kez tekrarlanmaya lay\u0131k b\u00fcy\u00fck bir eserdi. Finalden sonra Majak To\u015fikyan ve \u0130kna Sar\u0131aslan alk\u0131\u015flar aras\u0131nda sahneye davet edildi.<\/p>\n

Gazetemizin Sorumlu M\u00fcd\u00fcr\u00fc Ari Haddeler taraf\u0131ndan \u015ei\u015fli Belediye Ba\u015fkan\u0131 Mustafa Sar\u0131g\u00fcl’e, yard\u0131mc\u0131s\u0131 Vazken Bar\u0131n’a, Ortak\u00f6y Y\u00f6netim Kurulu Ba\u015fkan\u0131 \u0130skender \u015eahing\u00f6z’e, “\u00c7a\u011fdan \u00c7a\u011fa Akhtamar” oratoryosunun bestecisi Majak To\u015fikyan’a, s\u00f6zlerini yazan \u015fair \u0130kna Sar\u0131aslan’a, Lusavori\u00e7 Korosu \u015eefi Hagop Mamigonyan’a, gazetemizin Ba\u015fyazar yard\u0131mc\u0131s\u0131 Makruhi B. Hagopyan’a ve bu konserin haz\u0131rl\u0131k \u00e7al\u0131\u015fmalar\u0131na b\u00fcy\u00fck destek veren Maryam Drameryan’a \u015f\u00fckran ve onur plaketleri takdim edildi.<\/p>\n

R. HADDEC\u0130YAN’IN TE\u015eEKK\u00dcR KONU\u015eMASI<\/strong><\/p>\n

Son olarak ba\u015fyazar\u0131m\u0131z bir te\u015fekk\u00fcr konu\u015fmas\u0131 yapt\u0131. \u00d6nce \u015ei\u015fli Belediye Ba\u015fkan\u0131 Mustafa Sar\u0131g\u00fcl’e hitap eden Ba\u015fyazar\u0131m\u0131z, plaketi al\u0131rken “Ben burada oldu\u011fum s\u00fcrece Marmara Gazetesi de burada olacakt\u0131r” diyen sevgili Ba\u015fkan\u0131m\u0131za te\u015fekk\u00fcr etti ve onun her zaman oldu\u011fu gibi bu g\u00fczel geceyi de bizimle payla\u015fmak \u00fczere ko\u015fup geldi\u011fini s\u00f6yledi. “O cemaatimizin, \u015ei\u015fli’nin, \u0130stanbul’un dostudur. Ancak bizim cemaatimizin onu kalbinde farkl\u0131 bir yeri vard\u0131r, o s\u0131k s\u0131k g\u00fczel bir Ermenice ile “Tzezi \u015ead Gis Sirem” der, ve eminim ki bizim de onu \u00e7ok sevdi\u011fimizi bilir. Ba\u015fkan\u0131m\u0131z biraz \u00f6nce “Ben burada oldu\u011fum s\u00fcrece Marmara Gazetesi de burada olacakt\u0131r” dedi, biz de ona bizim de burada oldu\u011fumuz s\u00fcrece daima onun yan\u0131nda olaca\u011f\u0131m\u0131z\u0131, onun \u00e7izgisinden gidece\u011fimizi tekrarl\u0131yoruz \u00e7\u00fcnk\u00fc onun \u00e7izgisi insanl\u0131k ve sevgi \u00e7izgisidir” diyen Ba\u015fyazar\u0131m\u0131z daha sonra konu\u015fmas\u0131n\u0131 Ermenice s\u00fcrd\u00fcrd\u00fc.<\/p>\n

Salonu dolduran herkesin bu gece bu salonda ola\u011fan\u00fcst\u00fc bir sanat olay\u0131n\u0131n ger\u00e7ekle\u015fti\u011finin fark\u0131nda oldu\u011funa emin oldu\u011funu s\u00f6yleyen R. Haddeciyan bunun benzerini son 30 y\u0131ld\u0131r g\u00f6rmemi\u015f oldu\u011funu belirtti. Bir eserin ilk dinletisinin bir sanat olay\u0131 oldu\u011funu ve o tarihin eserin biyografisine ilk dinleti tarihi olarak ebediyen kaydedildi\u011fini hat\u0131rlatan Ba\u015fyazar\u0131m\u0131z, bu tarihle birlikte oraya Marmara Gazetesinin isminin de kaydedilece\u011fini s\u00f6yledi.<\/p>\n

Ba\u015fyazar\u0131m\u0131z s\u00f6zlerine \u015f\u00f6yle devam etti “B\u00f6yle muhte\u015fem bir eserin Marmara’n\u0131n j\u00fcbilesi vesilesiyle yaz\u0131lmas\u0131ndan dolay\u0131 b\u00fcy\u00fck bir gurur duyuyorum. Bu gece bu eserin ger\u00e7ekle\u015fmesinden duydu\u011fum gururu 100 kitap yazarak veya 45 sene Marmara’y\u0131 y\u00f6neterek duyamazd\u0131m. Majak To\u015fikyan uzun y\u0131llara dayanan deneyiminin t\u00fcm\u00fcn\u00fc bu esere koymay\u0131 ba\u015farm\u0131\u015ft\u0131r. Bu eser s\u00fcratle bir ka\u00e7 kez daha tekrarlanmal\u0131d\u0131r”.<\/p>\n

Ba\u015fyazar\u0131m\u0131z Patrik Genel Vekili Ba\u015fepiskopos Aram’a, Ortak\u00f6y Kilisesi Y\u00f6netim Kuruluna ve Ba\u015fkanlar\u0131 \u0130skender \u015eahing\u00f6z’e, \u0130kna Sar\u0131aslan’a, Majak To\u015fikyan’a, Hagop Mamigonyan’a, solistler Aylin Ate\u015f, Kevork Tavityan ve Dikran Karag\u00f6zyan’a, koreograf Hagop G\u00fcle\u00e7’e, geceyi sunan Ani Delimelkono\u011flu’na, yard\u0131mc\u0131s\u0131 Makruhi B. Hagopyan’a, Maryam Drameryan’a, ve gazetemizden bu gece i\u00e7in can\u0131n\u0131 di\u015fine takarak \u00e7al\u0131\u015fan Garo Hamamc\u0131yan’a her biri i\u00e7in \u00f6vg\u00fc s\u00f6zleri s\u00f6yleyerek te\u015fekk\u00fcr etti. Cuma gecesi Ba\u015fepiskopos Aram’\u0131n Marmara’n\u0131n mermer gibi sert ve lekesiz oldu\u011funu s\u00f6yledi\u011fini hat\u0131rlatan Ba\u015fyazar\u0131m\u0131z, “Ba\u015fepiskopos Aram’\u0131n izniyle mermerin sert ve so\u011fuk oldu\u011funu s\u00f6yleyece\u011fim, halbuki biz s\u0131cak ve yumu\u015fak olmak istiyoruz. O y\u00fczden gelin Marmara’y\u0131\u00a0 mermerden filizlenen ve zaten \u015fair \u0130kna Sar\u0131aslan’\u0131n \u00f6l\u00fcms\u00fcz \u015fiirindeki\u00a0 “Sonsuzlu\u011fun A\u011fac\u0131”na d\u00f6n\u00fc\u015fm\u00fc\u015f olan ye\u015fil bir meyve a\u011fac\u0131na benzetelim.” diyerek s\u00f6zlerini ve geceyi noktalad\u0131.<\/p>\n

Geceye kat\u0131lanlar uzun s\u00fcre salonda kalarak Ba\u015fyazar\u0131m\u0131z’\u0131 ve gecenin t\u00fcm sanat\u00e7\u0131lar\u0131n\u0131 kutlad\u0131lar.<\/p>\n

Marmara Gazetesinin 70. Y\u0131l etkinli\u011fi i\u00e7in bir \u00e7ok \u00e7i\u00e7ek g\u00f6nderilmi\u015fti. \u015ei\u015fli Belediye Ba\u015fkan\u0131 Mustafa Sar\u0131g\u00fcl, S. P\u0131rgi\u00e7 Hastanesi Y\u00f6netim Kurulu, Beyo\u011flu \u00dc\u00e7 Horan Kilisesi Y\u00f6netim Kurulu, Gedikpa\u015fa S. Hovhannes Kilisesi Y\u00f6netim Kurulu, Bomonti M\u0131hitaryan Okulu Y\u00f6netimi ve M\u00fcd\u00fcriyeti, Bak\u0131rk\u00f6y S. Asdvadzadzin Kilisesi Y\u00f6netim Kurulu, Karasun Mangants Korosu, Esayan Derne\u011fi, Maral Dans ve Muzik Grubu, Samatya S. Kevork Kilisesi Y\u00f6netim Kurulu, Sahakyan Nunyan Lisesi M\u00fcd\u00fcriyeti ve \u00e7ok say\u0131da dostlardan gelen \u00e7i\u00e7ekler salonu doldurmu\u015ftu.<\/p>\n

http:\/\/hyetert.blogspot.com\/2012\/01\/marmarann-70-yl-muhtesem-bir-muzik.html<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Majak To\u015fikyan’\u0131n Oratoryo’su Son 30 Y\u0131l\u0131n Ba\u015fyap\u0131t\u0131 Oldu – Ba\u015fyazar\u0131m\u0131z Marmara’n\u0131n J\u00fcbilesinin B\u00f6ylesine Muhte\u015fem Bir Eserin \u0130lk Dinletisine Vesile Olmas\u0131ndan Gurur Duydu\u011funu S\u00f6yledi. Cuma g\u00fcn\u00fc Ferik\u00f6y Nazar \u015eirino\u011flu salonunda tertiplenen gazetemizin 70. Kurulu\u015f Y\u0131\u0131l J\u00fcbile Etkinli\u011finin ilk aya\u011f\u0131n\u0131n ard\u0131ndan Pazar ak\u015fam\u0131 da ikinci b\u00f6l\u00fcm\u00fc Cevahir Otelinin kongre salonunda muhte\u015fem bir gece ile ger\u00e7ekle\u015fti. Majak To\u015fikyan’\u0131n […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,34],"tags":[],"class_list":["post-11499","post","type-post","status-publish","format-standard","hentry","category-haberler","category-istanbul"],"yoast_head":"\nMarmara'n\u0131n 70. Y\u0131l\u0131 Muhte\u015fem Bir M\u00fczik Eserinin Premier'i \u0130le Birlikte Kutland\u0131 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=11499\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marmara'n\u0131n 70. Y\u0131l\u0131 Muhte\u015fem Bir M\u00fczik Eserinin Premier'i \u0130le Birlikte Kutland\u0131 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Majak To\u015fikyan’\u0131n Oratoryo’su Son 30 Y\u0131l\u0131n Ba\u015fyap\u0131t\u0131 Oldu – Ba\u015fyazar\u0131m\u0131z Marmara’n\u0131n J\u00fcbilesinin B\u00f6ylesine Muhte\u015fem Bir Eserin \u0130lk Dinletisine Vesile Olmas\u0131ndan Gurur Duydu\u011funu S\u00f6yledi. Cuma g\u00fcn\u00fc Ferik\u00f6y Nazar \u015eirino\u011flu salonunda tertiplenen gazetemizin 70. Kurulu\u015f Y\u0131\u0131l J\u00fcbile Etkinli\u011finin ilk aya\u011f\u0131n\u0131n ard\u0131ndan Pazar ak\u015fam\u0131 da ikinci b\u00f6l\u00fcm\u00fc Cevahir Otelinin kongre salonunda muhte\u015fem bir gece ile ger\u00e7ekle\u015fti. 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Cuma g\u00fcn\u00fc Ferik\u00f6y Nazar \u015eirino\u011flu salonunda tertiplenen gazetemizin 70. Kurulu\u015f Y\u0131\u0131l J\u00fcbile Etkinli\u011finin ilk aya\u011f\u0131n\u0131n ard\u0131ndan Pazar ak\u015fam\u0131 da ikinci b\u00f6l\u00fcm\u00fc Cevahir Otelinin kongre salonunda muhte\u015fem bir gece ile ger\u00e7ekle\u015fti. Majak To\u015fikyan’\u0131n […]","og_url":"https:\/\/akunq.net\/tr\/?p=11499","og_site_name":"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","article_published_time":"2012-01-21T10:30:26+00:00","author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"9 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/akunq.net\/tr\/?p=11499","url":"https:\/\/akunq.net\/tr\/?p=11499","name":"Marmara'n\u0131n 70. 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